|
An occasional blog about populist politics and popular music, not necessarily at the same time. LinksLocal Links Social Media My Other Websites Music Politics Others Networking Music DatabaseArtist Search: Website SearchGoogle: Recent Reading
Music DatabaseArtist Search: Website SearchGoogle: |
Music Week [390 - 399]Tuesday, December 11, 2018 Music Week
Music: current count 30774 [30736] rated (+38), 259 [264] unrated (-5). No Weekend Roundup this week. Sunday was the deadline for ballots for the 13th Annual Jazz Critics Poll, and I spent pretty much every waking hour collecting and compiling mail, checking details on records, and occasionally kicking back requests for clarification or changes -- main problem is the arbitrary 10-year cutoff date between new and historical music categories. Still counted a couple of stragglers today, giving us 137 ballots -- same as in 2017. I expect results to be published at NPR sometime next week, but don't know anything for sure. Presumably they'll let me know in time for me to set up the complete totals and individual ballots on my website. I still have some annotation to do, but everything is pretty well set up on my end. That means I should get back to normal shortly -- it's just that aside from JCP, nothing I had planned to do last week got done, so I'm starting from a hole. I did wind up making one minor change to my JCP ballot (see last week): I dropped Nik Bärtsch's Ronin: Awase from 10th place on my new list and moved Martin Küchen & Landaeus Trio: Vinyl into its slot from the Reissues/Historical list (moving the following three records there up). Küchen's music dates from 2013-14, so doesn't qualify as historical given the 10-year rule. And I decided that it isn't really a reissue, even though the music was previously released on two vinyl LPs. This was their first appearance on CD, and it's not unusual for new records to go through changes from format to format. Seemed like the best answer for JCP, although I still have it Reissue/Historical in my own still-evolving EOY lists Jazz (also Non-Jazz). Both of those lists grew by 2 last week, so now are 55-49. Still, none of the new records came close to being ballot picks. No incoming CDs last week, although I did get a couple packages this week, including new releases from NoBusiness in Lithuania. I don't think I've ever run the numbers before, but my impression has long been that close to half of my top-rated albums come from European artists (22/55 this year) and/or labels (25/55) -- not that I'm sure I'm counting either right. (Add one in both columns for Japan/Asia.) I should also offer a link to the EOY Aggregate file. I was close to caught up a week ago, but since then I've fallen way behind -- lots of lists are coming out, and I've only counted a few. So I expect quite a bit of change as I catch up. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week: no music albums, but let's list some recent music books:
Ask a question, or send a comment. Tuesday, December 4, 2018 Music Week
Music: current count 30736 [30692] rated (+44), 264 [271] unrated (-7). Got so jammed up Monday I didn't get a word of this written on its appointed day, but I did manage to move the records from the scratch file and start on next week while I was falling behind. One task was to format Robert Christgau's latest XgauSez question and answer session, which came out in the wee hours of Tuesday morning. Another was counting ballots for the 13th Annual Jazz Critics Poll (56 in at present, deadline Sunday, December 9, 7pm). I can't show you any of that, but I've also been counting EOY lists for my EOY Aggregate, which you can track the progress of. Although lists started to appear before Thanksgiving, there wasn't much until December 1 (or the Monday after). It occurs to me I should probably nail down my Jazz ballot now, rather than wait for the end of the week. Of course, my real list remains subject to change. If the past is any guide, I'll probably find a new A- record within 2-3 days, and something to nudge into the ballot territory in 10-15 days.
You may notice that the Reissues/Historical list doesn't match the EOY file. I decided to only include records that I have physical copies of -- partly to credit the few good publicist who actually still send me eligible records, and partly because some of the records on the current list (like the expanded Sonny Rollins Way Out West and the reduced Anthony Braxton Quartet (Willisau) 1991 Studio) are items I was already pretty familiar with. Also, note that only three Reissue/Historical albums will be counted. I went to four in case the judge decides that the Küchen album is too recent (although it is literally a reissue of recent vinyl releases). [PS: I finally decided to treat Küchen/Landaeus as new and slot it at number 10, bumping Nik Bärtsch's Ronin from the top ten. So, turns out my blog-posted ballot didn't last 30 minutes before I had a change of heart/mind.] I published Streamnotes (November 2018) last Friday, so most of this week's batch of newly rated records got written up there. I added one more jazz A- in the two days after Streamnotes (Flavio Zanuttini), and I've actually added one more in the two days between when I ended last week and as I'm writing now (Wojtek Mazolewski Quintet's Polka). My current division of A-lists is 53 Jazz vs. 47 Non-Jazz, so it's tilted a bit toward jazz over the last couple weeks. I was hoping to get a couple of technical things set up so I could announce them this week, but didn't get around to doing the necessary work:
So, one (mostly) down. The others shouldn't be too hard to get working in the next week. Also managed to get a stub set up over at Terminal Zone, so I can start hanging things there. Still, most of this coming week will go to tabulating ballots and collecting lists. I guess the latter qualifies as my favorite waste of time. At some point I need to stop and get onto other work, but for now, 'tis the season for it. New records rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Saturday, November 26, 2016 Music Week
Music: current count 30692 [30635] rated (+57), 271 [293] unrated (-22). Cooked Thanksgiving dinner for my nephew, his girlfriend, and a few scattered friends who didn't have other engagements. Figured I'd pick off a few French recipes I had missed on my birthday. I figured the roast bird could simply be a chicken, especially since I hadn't done any chicken on birthday. I repeated the potatoes (gratin dauphinois) and chopped chicken liver (but none of the other spreads). For new dishes, I had carrots (cooked with ginger and cardamom), green beans (with pancetta), tian (zucchini and tomato slices roasted on top of onion), and a salad (frisee aux lardons -- I had a nice-sized chunk of slab bacon left over, and mixed a little liver into the vinaigrette). For dessert, I made three pies: sweet potato, chocolate pecan, and key lime. Probably should have offered ice cream, but just whipped some cream. (In fact, had so much cream left over, I probably should have made ice cream.) Had a couple bake-it-yourself baguettes. Figured I needed them for the liver and croutons for the frisee, but turned out that butter on bread was popular. Had I realized that, I could have mixed up an herbed/spiced butter spread. Thanksgiving probably cost me two days of listening, but I started the week strong, and finished it stronger. Still, that should have yielded something like 40 records. However, when I ran the numbers, the increase was less than the list, so I made a pass through the unrated albums list and a dozen more I had missed. And by the time I straightened that out, I had rated some more. In the end it seemed easier to get current than to respect yesterday's cutoff. I've started collecting EOY lists. Thus far there's not a lot to go on: some long lists from UK record stores, UK pubs like Mojo and Uncut, a couple of metal-oriented lists, and Paste -- closer to what I expect from major US lists, although still pretty shy of hip-hop. I've retained some data from mid-year lists, which helps balance out the early skews. At the moment, the top five are Janelle Monáe, Courtney Barnett, Rolling Blackouts CF, Kamasi Washington, and Cardi B. Without the mid-year boost, Barnett would be leading Monáe, and Cardi B wouldn't be in the top 100. I'm also tabulating Jazz Critics Poll ballots. Can't share any of that with you yet, but I have about 20 ballots counted at this point. That info is pushing me to check out lots of albums, although my priority this and next week will be to catch up with my own CD queue. Meanwhile, I've done a preliminary sort on my own Best of 2018 lists, split for Jazz and Non-Jazz I'll keep adding to these well into the future. Also, expect a Streamnotes by the end of the month. I guess that's like Friday. I have a pretty decent-sized draft file already. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Tuesday, November 20, 2018 Music Week
Music: current count 30635 [30591] rated (+44), 293 [300] unrated (-7). Finished Weekend Roundup at a decent (for me) hour Sunday evening, figuring I'd knock this out on time too. However, the end-of-the-year crunch hit me hard over the weekend, so I have quite a bit of material to cover here. I'll try to be brief (and will probably postpone whatever I can). First thing is that Francis Davis will be running his annual Jazz Critics Poll again this year, with NPR picking up the tab (such as it is) and bragging rights. I've been hosting the ballots and providing complete results since 2009, and will do that again. But the difference this year is that I'll be doing the ongoing tabulation, so I need to get set up early this year (like right now) instead of waiting for Francis to dump everything in my lap a day or two after the voting deadline (December 9). Francis always urges early submission of ballots, and I have three waiting in my mailbox at the moment. Sometime over the next couple days I'll set up my framework and start counting ballots. Good news for me is that it will spread the work out, but ultimately that will add up to quite a bit more work. It certainly ruins any hopes I had of driving off to see family in Arkansas and Oklahoma. At this point I have very little idea of the contenders -- not even much sense of my own list. But at least I've cobbled together two very tentative lists: as has been my custom, one for Jazz and one for Non-Jazz. First thing I must say is that I was very surprised to see that both lists have the exact same number of new A-list records: 46. Usually what happens is that when I first put these lists together (Nov. 16 in 2017, Nov. 19 this year) I get about a 60-40 split in favor of jazz (ratio, but I usually have about 100 A-list records at this point, so close to literally). Then as I get a chance to look at non-jazz EOY lists, I catch up on the non-jazz side so the split usually winds up close to 50-50 (in 2014: 69-76; in 2015: 81-83; in 2016: 75-67 -- a slight trend line toward more jazz, which seemed to finally tilt in 2017: 84-61). So while I was expecting that trend to hold, I was also thinking the split might be even more extreme this year, as (my impression at least) I've actually been streaming more jazz than non-jazz this year. So coming up 46-46 is a big surprise to me. Actually, my perception isn't that far off base. Jazz has a 13-4 A-list edge in Reissues/Historic, which I mention because it's hard to factor those records out of the following grade break-downs (obtained by subtracting Music Tracking: Jazz from All:
So, basically, I'm listening to twice as many jazz as non-jazz records, but I'm a lot pickier about the non-jazz I play. I figure that the jazz percentage (currently 68%) will drop a bit before the year is over, more like last year's 62%. I should also note that the total number of rated records is down this year, from 1185 in 2017 to 760 now (assuming 10 weeks left, a pace that would reach 940 albums). The jazz grade curve above looks pretty reasonable to me, although compared to past years it looks like A- is down and B+(***) up. I'm on a pace to hit 57 A-list jazz records this year, vs. 81-75-84 over the last three years: the A-list share of all rated records is 6.0% this year, vs. 7.0% last year (or three). I can't explain that. Maybe I'm less patient, or crankier. As for non-jazz, my most reliable scout this year remains Robert Christgau (although I suspect that statistical analysis might show he's been less reliable this year than before). It's now pretty easy to check up on his grades for 2018 releases. Adding in last week's picks (Homeboy Sandman & Edan, Open Mike Eagle), he has 60 A/A- records among 2018 releases (excluding a dozen-plus belated grades for 2017 releases). I've heard 58 of those (playing Open Mike Eagle now; can't find Chicago Farmer), and my grades break as follows: A: 1, A-: 24, B+(***): 16, B+(**): 8, B+(*): 7, B: 2. That's pretty good correlation: more than half (52.1%) of my non-jazz A-list were rated A/A- by Christgau. (Christgau has two jazz albums on his list: John Hassell [my A-] and MAST [my ***].) I did an update of the CG database last week -- my first since mid-January. I hadn't been able to work on it for several months, thanks to a major server meltdown, which forced me to rebuild my local copy of the website based on the public copy. That shouldn't have been too hard, but my new machine was running later software revisions, and the public server was also out of sync with my old server. I had more than a hundred files that I needed to revise, and actually still don't have all of that work done. I've been getting by with partial updates, but hadn't been able to change the database until I resolved a character set incompatibility. I made a breakthrough on that a week ago, and it took me until Thursday to catch up and prepare a database update. I also settled down and wrote up a script to provide a RSS 2.0 feed. If you use a RSS feed reader (most browsers have one built in), you can add this feed to the list you're monitoring, and get notices when new files (or major edits) appear on the website. The current one has titles, links, and dates, but doesn't have article descriptions yet. I'll add those as we go forward. I don't have much experience with RSS, so there are details that I'm unsure of. For instance, should we add links to external websites, given that most of Christgau's new writings appear elsewhere (e.g., Noisey), exclusively for an initial period. (While the embargo is in effect, the RSS will link you to a stub article which includes a link to the current article, so the inconvenience is an extra click.) I'll promise here to get the rest of the programming changes done by the end of the year. Beyond that, I'm planning on doing a fairly major website redesign next year. The current website was launched in 2001, and we've been hearing complaints about its "antique" design at least since 2004. Most never bothered us, but we keep getting bit by software changes, especially by the now nearly universal adoption of UTF-8. We need to adopt UTF-8, and bring the older pages up to HTML5. We need to add a viewport declaration to work better with phones (and I need to learn what else "phone-first design" entails). We don't use cookies, and there is virtually no javascript to the site -- good things, I've always thought, but I'm starting to wonder. I'm not particularly keen on moving all the articles to the database, but the directory organization has morphed into a sprawling, nonsensical mess -- such that I have little idea where to put many new files. It may be a good idea to come up with a different browsing scheme. There are also maintenance issues, especially as we've seen that the current webmaster can be pretty lax about his duties. Back in 2001 when I built the site, I had figured that I'd have to rebuild it around 2004-05. In fact, there are dozens of pages scattered around the site with ideas for development -- few that have actually been revisited since 2005. At some point in the next few weeks I'm going to set up a mail exchange and invite interested (and hopefully expert) people to act as a consulting forum on this and similar projects. (My own "ocston" website dates back to 1999, surviving an effort back in 2002 at a major rewrite, so I can be even more lax on my own work.) Maybe we can also provide a sounding board for others who want to work on similar or related projects. (E.g., Chuck Eddy one suggested reviving "Pazz N Jop Product Report," so I wrote a very preliminary spec here, then never did anything about it.) I was thinking I'd announce the forum this week, but didn't get that done. Soon, I promise. I also hoped to get the RSS feed code backported to my site. (Back when I was using Serendipity for my blog, I had people who publicized my links from its RSS feed -- I know this because I've seen broken links from a year ago.) Also I plan on adding a Q&A feature similar to Christgau's Xgau Sez (a new batch of which came out today). I solved one technical issue last week, and hoped to announce that today, but "real soon now" is the best I can do. Another thing I didn't get set up this week is the 2018 EOY Aggregate file. Actually all I need to do there is to clean up and repurpose this file, which I had set up for mid-year lists (based on last year's EOY Aggregate framework). I think what I will do there is to turn all of the mid-year list mentions into 1-point miscellaneous references (so that Janelle Monae drops from 52 to 22 points), then replace those as actual lists appear. EOY lists usually start appearing around Thanksgiving. In fact, here is the top 75 from Mojo. As for this week's music, before I got swamped I was variously intrigued and outraged by Downbeat's Readers Poll. I made an effort to track down the top-ranked albums I hadn't heard of. I also spent the better part of a day trying to check out the late guitarist Allan Holdsworth, who came in second (for the second straight year) in reader Hall of Fame voting. (He lost to Wynton Marsalis last year, and to Ray Charles this year.) I knew the name, and had several of his records listed (but not heard) in my database, filed under rock. After sampling eight (of not much more than a dozen) albums, I have to say I have no idea what fans hear in his guitar. I suppose I could have dug deeper -- he did early work with pianist Gordon Beck, whose Experiments With Pops was a star-making turn for John McLaughlin, and he appeared on two 1975-76 Tony Williams albums I don't know -- but I was pretty sure his 12-CD box set (The Man Who Changed Guitar Forever) was de trop, especially since most of it was also redundant. Midweek I mostly played Christgau picks. I think I get the appeal of Rich Krueger, but something about his sound turns me off (I called his previous album, Life Ain't That Long, the one Christgau prefers, "Springsteenian.") I wound up reviewing Lithics based on an "abridged version" on Napster and Bandcamp. I usually don't bother with partials (6/12 cuts), but figured that was the only chance I'd get. When I do, I usually hedge, but this seemed like the sort of thing they could keep doing for hours (recommended if you not only like Wire but need more). A couple B+(***) records tempted me for extra plays in case they got better. The one that came closest was by Carol Liebowitz. Several albums this week were recommended by Alfred Soto in an "we're almost there" pre-EOY list. Eric Church's Desperate Man is the only one I'd call a find, but that was after the cutoff (so next week). One bit of good news at Napster is that the HighNote/Savant back catalogue is now available. I checked out a new archival Frank Morgan release, then found a couple of old ones I had missed. I previously pegged A Night in the Life: Live at the Jazz Standard Vol. 3 at B+(***), so it's not a big surprise that Vol. 1 and Vol. 2 edge it. The other gem in Morgan's catalog is Twogether, a duo with John Hicks, released in 2010 after both died. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Daiy LogMiscellaneous Album Notes:
Ask a question, or send a comment. Tuesday, November 13, 2018 Music Week
Music: current count 30591 [30559] rated (+32), 300 [292] unrated (+8). Once again, a long, slow slog through Weekend Roundup links pushed Music Week into Tuesday. I wrote a brief summary/introduction Monday evening, and was prepared to post then, but figured I'd roll this post into the same update. Then I found myself spending a few hours Tuesday afternoon adding links -- generally trying to limit myself to items posted by Sunday, but wound up adding a few new ones in the end. For instance, since I already had a long list of Matthew Yglesias links, I added one called The 2018 electorate was older, whiter, and better educated than in 2016 that I ultimately decided was misleading: those are shifts that occur in every midterm election from the previous presidential election, because many fewer people vote in midterms. On the other hand, you get the exact opposite effect if you compare 2018 to 2014, 2010, etc. And that happened precisely because many more people voted in 2018 than in 2014, 2010, . . . in fact, you have to go back to 1966 to find a midterm election with higher voter participation (see Camila Domonoske: A Boatload of Ballots: Midterm Voter Turnout Hit 50-Year High). This year's turnout was 47.5%, down from 60.1% in 2016, but way up from 36.7% in 2014. Still, I had to stop somewhere, so I left four Tuesday Yglesias links for next week: the most important is Democrats' blue wave was much larger than early takes suggested. Also especially interesting is Alexandria Ocasio-Cortez slams Amazon's imminent arrival in Queens. I'm not sure that the left much less Democrats in general have developed a coherent response to the repeated scamming of states and cities by big corporations like Amazon -- and the list goes on forever, ranging from the $4 billion Foxconn con in Wisconsin to the dozens of local outrages we fend with every year here in Wichita -- but this one has the makings of serious public exposure. As for music, it's been a fairly typical week. Solid rate count, would have been higher except for a new 3-CD Art Pepper archive set, followed by an older (and even better) 4-CD set that I had only heard a sampler from at the time. Late last week I got Downbeat's December issue with their 83rd Annual Readers Poll results, so I started out by checking out leading albums I hadn't heard. I think I had only heard 5 of the top 10 new albums -- also (less surprising) 5 of the top 10 historical albums -- so I had some work to do there. Most of those were on last week's list (Chick Corea/Steve Gadd, Jazz at Lincoln Center Orchestra/Wynton Marsalis, Joey Alexander, Kurt Elling, and further down Esperanza Spalding), although the only missing historical album I found was Jimi Hendrix's Both Sides of the Sky, which led me to the old one below. First Rays of the New Rising Sun was the only non-jazz album on this week's list until Sunday, when ventured into a batch of country albums in Robert Christgau's Expert Witness. I don't think the Pistol Annies album is as good as he says, but figure it's good enough, as are the others (Becky Warren, Mandy Barnett, and Robbie Fulks/Linda Gail Lewis -- the latter was an A- here some weeks ago). I haven't done an update of the Christgau Consumer Guide database since late January: initially because it's takes enough work I tend to put it off, but then I suffered a one-two punch as first my local server than my public server crashed. When I pulled the data back from archive, I ran into a character set incompatibility that made it impractical to update the database (i.e., there was no point changing anything until the underlying problem was fixed). I floundered with it for a while, then put it off, working on other things instead. Finally I took another shot at it last week, and got to the root of the problem (a hidden flag in the server-side export utility that I hadn't run into before). Once I got a clean copy of the database, I started adding in more recent reviews. I'm up through September now, and will catch up in a couple days (maybe tonight). I should be able to just update the database without reconciling the entire website. Since the server crash, I've been doing limited incremental updates every week (instead of waiting months, as was my previous custom). There are tradeoffs: I could wind up forgetting something, but I'm in the middle of a bunch of programming changes because a lot of functions have been dropped from PHP 7 (which is what I'm running locally, vs. PHP 5 on the public server). Until I get all of those things fixed (hundreds of changes) I don't dare do a full synch up. In the past I've always done database and website file updates at the same time, but they are independent enough I should be able to do each as needed. I guess we'll see. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, November 5, 2018 Music Week
Music: current count 30559 [30524] rated (+35), 292 [293] unrated (-1). October's Streamnotes came out last week. Four of the week's A- records made it into that column. Three of those had been pick hits in Robert Christgau's Expert Witness columns. By the way, there is a new batch of XgauSez on Christgau's website. More things I'd like to write about here, but absolutely no time to do so. I'm exhausted after Weekend Roundup once again took much too long to write, while once again I wound up not getting to scads of material worth reading. In particular, I wanted to say something about Downbeat's Readers Poll, which suggested some of the recent records this week. Also about my nephew's birthday dinner, which I'm afraid puts my own recent efforts to shame. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Wednesday, October 31, 2018 Music Week
Music: current count 30524 [30499] rated (+25), 293 [287] unrated (+6). Despite the late posting, cutoff was Monday afternoon (including Monday's incoming mail). Count is low mostly because I took time off to shop for and cook Birthday Dinner last week. Went with French, mostly dishes from the South country, definitely nothing gourmet or nouvelle cuisine-ish. Made a terrific cassoulet with duck, an even better veal marengo, a slightly inferior boeuf bourguinon, my usual ratatouille, and a simply divine gratin dauphinois, as well as a few spreadables (chicken liver, duck rillettes, salmon rillettes, herbed cheese, tapenade), and a pretty yummy flourless chocolate cake. Took three solid days: one shopping, two cooking. More extensive notes in the notebook. During that time, I listened to golden oldies, including all of Rhino's The R&B Box. Before (and slightly after) I got stuck in Will Friedland's The Great Jazz and Pop Vocal Albums, playing things he liked that I hadn't heard, and other things by artists listed that I thought might be worthwhile (mostly Frank Sinatra's Capitols). When I first picked up the book at the library, I had heard 19 of 57 listed albums (33.3%). Now I've raised that to 51 (89.4%), unable to find albums by Bobby Troup (Sings Johnny Mercer), Lena Horne (At the Waldorf Astoria), Barb Jungr (Every Grain of Sand), Carmen McRae (As Time Goes By), Jimmy Scott (Lost and Found), and Jo Stafford (Sings American Folk Songs). I don't have time to figure out a grade spread, but safe to say we don't agree on very many of these. One thing I like to do when I'm doing these dives into old music is to knock off U-rated albums in my database, but I had trouble locating (much less finding time for) unrated boxes of Sinatra and Mel Tormé. (I also have an unrated Bing Crosby box somewhere. In fact, I should spend some time with Crosby, but as it happened I had heard Friedland's two Crosby selections, so I skipped over him.) Maybe someday I'll write my own vocals list. It should be very different, as only 13 albums on Friedland's list did A- or better for me. Streamnotes due October 31. Need to get cracking on that. I should also note that Robert Christgau's new essay collection, Is It Still Good to Ya? Fifty Years of Rock Criticism 1967-2017 came out last week. New records rated this week:
Old music rated this week:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, October 22, 2018 Music Week
Music: current count 30499 [30473] rated (+26), 287 [286] unrated (+1). Forgot to include the grade for the Myra Melford album reported last week, so I'm running it again here. I've had a rough week, and it's left me pretty badly shaken. I used to think of myself as fairly handy, and started the week with several seemingly simple projects to do. One was to repair some office chairs. They have a standard gas lift cylinder to adjust the height. Over time, it can leak, causing the chair to sink under weight, often in startling little bursts. I've replaced them before, and never had any problem. The ends are slightly tapered, so the weight of sitting on the chair presses them into the base and seat frames. You can find YouTube videos that show how easy it is to extract the old cylinder and replace it with a new one. Typically, you use a hammer to tap the cylinder out of the base. It took me a few more blows than the video shows, but I did that part was easy enough. Separating the cylinder from the chair is a little more awkward, so they suggest using a pipe wrench. I tried that and failed. It was stuck so completely that my wrench cut deep gouges in the side of the cylinder without budging it. Nor did spraying WD-40 around the interface help. So I thought, maybe I could tap it out, like the base. I unbolted chair from the metal frame the cylinder was stuck into, so I could hit it from the top. I pulled a clip and moved the handle out of the way. I clamped the unit into a WorkBench. I took a chisel I use for chipping apart masonry that's just a bit smaller than the top of the cylinder, centered it over the cylinder, and smashed it 20-30 times with a heavy mallet. It didn't budge, although it did start cutting into the top. Then I took a gear puller, wrapped it around the frame with the screw centered on the cylinder, and started tightening it with a wrench. No change (except perhaps that the screw, which has a point to help keep it centered, is now drilling into the middle of the cylinder). Only other idea I can think of would be to get a flat steel disc just a bit smaller than the top of the cylinder, and insert that under the screw to spread out the pressure more evenly. I thought about using small stack of quarters, but the amount of pressure I've already put on it would tear a hole in such soft metal. So right now, this looks like a total failure: having bought replacement parts, nothing I can do now but throw the chair away. Second project was to install some covering over the gutter on the garage. We had new gutters and covers installed when we had the house covered with vinyl siding ten years ago, but the garage is detached and a separate deal. I found some material that looked promising at Home Depot, and ordered enough for my garage and my nephew's house (at pre-sale prices, I now see). Should have been a pretty simple installation on the garage -- one 22-foot run, not very high -- but it would up taking me three afternoons. The material had to be bent to fit, I had to cut one piece short, and trim both ends. I bought screws that didn't work very well. But mostly it was just a lot of aches and pains going up and down the ladder. At least I got that little project done. But that still leaves my nephew's house, which will be four times as much work (hopefully, with some help, and having learned some tricks). The more serious problem struck Thursday evening. I figured it was tie to upgrade my main computer from Ubuntu 16 to 18. I've done this upgrade twice before, so expected it to be slow and disruptive, but uneventful. To be safe, I copied all my data off onto another computer, then shut my work programs down and ran the upgrade. It failed, leaving the machine in "unstable" state. The specific error concerned grub, which is the Linux boot loader. There is something called UEFI built into the motherboard software to provide a feature they call "Secure Boot," which will only allow kernels with certain signatures to be booted. The install program normally creates signed kernels, but due to a bug (reportedly since fixed, but somehow still in the upgrade package) it detected unsigned kernels on the system, and aborted the upgrade rather than install a boot loader that might not be able to boot up. I'm not clear on the exact implications of all that: basically, a bunch of stuff got installed, but not everything, so there are possible incompatible versions. More obviously, with the upgrade process aborted, it isn't clear how to identify and fix the problems, and how to restart and finish the upgrade. What happened then was basically my mind froze up and I stopped, not knowing how to back out, and not daring to move forward. The computer itself was semi-functional: indeed, I'm using it now to write this post, and should be able to upload it before I'm done tonight (but between Thursday and now I've done next to nothing). After I'm through with this upload, I'll try rebooting, which may or may not work. Worst case is I have to put a new disc in and do a fresh install, then bring the old disc back and patch it all up. Best is that it will reboot, finish installing the packages it has downloaded, and be stable enough that it can look for updates and finally get a complete up-to-date system installed. Couple other problems this week, but that's enough to chew on. My music work stopped with the computer on Thursday. Most of what's listed below comes from the Will Friedland The Great Jazz and Pop Vocal Albums list. I started a couple weeks ago having only heard one-third of the 57 albums on the list. Now I've heard 47 of the albums: 6 I wasn't able to find on Napster, 4 more I haven't gotten around to checking on. I don't align very well with Friedland's taste here -- I've only rated 12 of 47 at A- or higher -- but three A- records this week all caught me by surprise (Judy Garland, Della Reese, and Kay Starr; the high B+ records by Anita O'Day and Maxine Sullivan were pretty much what I expected, but my previous Garland grades were { C+, C, B, B- }, and I had nothing graded by Reese or Starr). When I resume, I'll probably go deeper on Frank Sinatra than the one I've missed (In the Wee Small Hours, which pretty much everyone regards as A/A+), not least because I actually own (but never rated) the 14-CD Capitol Records Concept Albums box). The others I need to look up are less promising: Mel Tormé (2 rated, 1 B+, The Mel Torme Collection: U), Sarah Vaughan (13 rated, 1 B+(*), 4 B+), and Margaret Whiting (1 rated: C+). Didn't even think about Weekend Roundup yesterday, although I'm pretty sure there were some really terrible things to write about (especially with Trump's America Only foreign policy). Moreover, even if the computer comes back to life painlessly, I don't expect to get much done on it next week. I still have the gutters on my nephew's house to deal with. Also, I'm cooking "birthday dinner" this week, so will try to come up with something fabulous for that. Seems like that, at least, is still a project I can carry off. If not, I'll be even more bummed next week. Doesn't look like I'm cut out for getting old and decrepit. New records rated this week:
Old music rated this week:
Ask a question, or send a comment. Monday, October 15, 2018 Music Week
Music: current count 30473 [30430] rated (+43), 286 [282] unrated (+4). Another week with much more old music than new. One chunk of old music was an attempt to fill in a few holes after baritone sax great Hamiet Bluiett's death. Other A- Bluiett records my database:
I didn't follow up with World Saxophone Quartet albums I may have missed. I didn't care for their early work -- thought they needed something extra beyond the four-sax harmonics, as the few records I wound up liking proved. Still, Napster filed a couple under Bluiett's name, reminding me that I was missing some. I was pointed to the rest of the "old music" by Will Friedland's new book, The Great Jazz and Pop Vocal Albums. I made a list of the 57 albums reviewed at great depth there, found that I had only heard a third of them (19/57), and vowed to improve myself. Usually I went straight to the selected album, but sometimes I dug a little deeper -- e.g., wound up playing all of Blossom Dearie's Verve albums, a couple of extras from Doris Day and Rosemary Clooney, and a second Matt Dennis album (that got compiled into a single CD with the pick). On the other hand, I figured Nat King Cole and Ella Fitzgerald would have turned into vast time sinks (plus I already have 15 Cole and 36 Fitzgerald albums graded; Ella at Zardi's was a vault music album from last year, and too good to skip). I felt more need to check out Billy Eckstine (4 records), but I've never been that much of a fan. As for Robert Goulet, his is a name I remembered from my youth but hadn't heard in as many years -- a mistake I'm not likely to repeat soon. I'll try to knock off some more this week: Judy Garland, Eydie Gormé, Dick Haymes, Peggy Lee, Marilyn Maye, Carmen McRae, Anita O'Day, Della Reese, a dozen more. Friedland's list is skewed pretty strongly to the string-drenched pop of the first few years of the LP era -- basically the pre-rock and anti-rock I grew up rebelling against, so it's not very promising ground for me. Also not finding everything, so I'll probably stop close to 80% (missing so far: Lena Horne, Barb Jungr, Bobby Troup). I did manage a milestone on one months-long project. I've spent a couple years now collecting bits of text from my on-line notebook. My first pass picked up all the capsule reviews of jazz albums, which I sorted into two book files: one on records from 2000 forward, the other on records recorded earlier (20th century). Those volumes added up to 765 pp (pre-2000) and 1650 pp (post-2000). I then went back through the notebooks and started pulling out all of the political notes (four volumes: 1590 pp 2001-08, 1768 pp for 2009-12, 1666 pp for 2013-16, and 858 pp since 2017), plus another file for various personal notes (memoir, health crises, dinners, deaths, plus some movies and tv: another 780 pp). When I finished those, I realized that there were still a couple of major chunks of writing unarchived from the notebook: non-jazz capsule reviews (1863 pp) and miscellaneous music writings (e.g., intros to my CG posts, year-end notes, obits: 1735 pp). I finished my initial pass on Sunday, so the total for the nine volumes is 12,685 pages, which works out to about 5.4 million words. While most of what I've written since 2001 is either in the notebook or accessibly linked from it, I still need to look at other files on the website and fold them in where appropriate. Biggest chunk here is probably the longer music reviews, but I also have fragments of book drafts and project plans, and other things. Would be nice if I can recover my email files -- lost in my early-summer server crash, but perhaps not hopelessly. Other things I need to do:
Ultimately, I see these files as resources for constructing various other books and/or websites. Laura has read through the first of the political files (2001-08), but we haven't yet had any substantial discussions on where she thinks it should go. I have various scattershot ideas on these things, but won't try to develop them here and now. I understand that essentially no one will want to sit down and read any of these "books" straight through, I find that a fair amount of the writing has held up over time (some still useful, some even amusing). One good thing for me about this process is that it's given me something tangible (and relatively non-taxing) to do over the past two year. But now it's starting to come to a point where I need to move on: pick a project (or two or three) and focus on that. End of the year might be a good deadline for wrapping this up and figuring that out. A couple more notes: Allen Lowe (on Facebook) recommended a 20-CD box from Sony (Canada) called The Perfect Roots & Blues Collection. This looks like a series of CDs Sony/Legacy issued in the early 1990s. If so, I've heard (and own) nearly all of them, and I agree that they've been a really superb series. Even at Amazon's own price ($93.99) it's a bargain, but they have dealers in the UK offering it for much less. When I looked it up, I noticed another tempting 20-CD box, Jazz From America on Disques Vogue -- jazz recorded by American artists in Paris late 1940s/early 1950s. RCA released a series of these in the early 1990s. I have a dozen or more, most quite good. I've never bought any of Sony's massive boxes, so I can't speak as to packaging and documentation, but I did write a bit about The Perfect Jazz Collection back in November 2011. For me, and possibly for you, the problem's always been owning so many of the packaged albums the big boxes, even when quite cheap, are still not cost-effective. Still, one can imagine others these sets would be perfect for. Sony also has massive collections of Miles Davis and Johnny Cash, as you can well imagine. I also want to point out two books that came out last week, that my wife, Laura Tillem, edited:
Both authors live here in Wichita, and are good friends of ours. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Grade (or other) changes:
Unpacking: Found in the mail last week:
Ask a question, or send a comment. Monday, October 8, 2018 Music Week
Music: current count 30430 [30390] rated (+40), 282 [280] unrated (+2). Everything below is jazz. Most of it is new stuff I wasn't serviced on (unless someone sent me a download link which I didn't open; i.e., it was streamed, either from Napster or Bandcamp). Only a couple of CDs I did receive, mostly because I took so long making up my mind about the Jonathan Finlayson record (A-, but just barely). Most of my tips came from Phil Freeman's monthly Ugly Beauty column at Stereogum. Biggest find there was the trove of Japanese jazz from the 1970s (for once, the sampler is the place to start). The only old music was a Penguin Guide 4-star I had missed, by a saxophonist who showed up on at least three of this week's new discs (to best effect with Matt Penman). I've walked Freeman's columns back to March, which gets increasingly into things I've already heard. One thing I didn't know was that Buell Neidlinger died back on March 16. He was the bassist in Cecil Taylor's 1956-61 groups -- in at least one case the album was initially under his name (New York City R&B). My database credits him with four A- records from the 1980s: Swingrass '83, Across the Tracks, Rear View Mirror, and Locomotive (all recorded 1979-87, but most got delayed releases -- Swingrass '83 was the first I noticed, and fell in love with. The great baritone saxophonist Haimet Bluiett also died last week. I need to take some time and dive into his dicography -- I see, for instance, that Napster has Birthright, a PG 4-star from 1977. Some A- records I have heard: Live at Carlos I: Last Night; Young Warrior, Old Warrior; Makin' Whoopee: Tribute to the Nat King Cole Trio; The Calling. Bluiett also batted clean up in the World Saxophone Quartet, and he was particularly prominent on their best-ever Political Blues. I did a little work on my project of collecting the last bits from my on-line notebook into book form. I'm up to February 2015 with a volume of miscellaneous music notes (1343 pp) and another of non-jazz capsule reviews (1515 pp). I doubt the former (which largely consists of introductions like this one) will be of any real interest, but think it would be handy to get it into searchable form. It turns out that 2011-13 were big years for misc. notes, mostly because that was when Robert Christgau's Expert Witness at MSN encouraged comments, and that resulted in a lot of community commentary. I jotted down pretty much everything I contributed -- often answering questions on recommended CDs, or extemporaneously venting on subjects like Charlie Parker. I always figured my non-jazz capsule reviews were too spotty for any sort of reference book/website, but it turns out that there are enough of them to provide a decent starting point if other people got interested in adding to them. I interrupted work on this to post another batch of Robert Christgau's Xgau Sez questions and answers. At some point I'd like to adapt that framework to offer a similar service here. I've struggled for many years to crank out pieces I think might be of public interest. It might be a relief to let other people direct me for a while. I noticed this week that Tom Smucker has finally published a whole book on what's long been one of his favorite topics: Why the Beach Boys Matter. I have a copy on order. Ironically, my own original foray into rock criticism came from arguing with Don Malcolm over the Beach Boys. I'm surprised he never got around to writing his own book. Also noticed and ordered a copy of a new edition of Vince Alletti's The Disco Files 1973-78. I actually knew both Vince and Tom during my few years in New York, so I consider them old friends. Posting of this got delayed as I was trying to figure out when I was done with Weekend Roundup. I had started intending to write something different on Brett Kavanaugh, but never really got past the preface. I have some sympathy for the argument that something that happened over 35 years ago shouldn't permanently tar a person. I think that many interactions between the sexes are confusing, and best forgotten. I think we should be more tolerant and forgiving of what are often just human foibles. On the other hand, I'm not sure that of my general sensitivities actually offer Kavanaugh much benefit. I could see why a normal person might not recall details or motives of the charges, but such a person would at least recognize the horror and pain behind the charges, and sympathized with the victim. Kavanaugh didn't do that. His blanket denial effectively repeated the original attacks. And his insistence that the charges were purely political, a "hit job" ordered by the Democrats, pure "borking," effectively said that he thought he should be exempt from his actions and consequences purely because of his politics. As it turned out, Kavanaugh's final testimony was one of the most disgusting performances I have ever seen -- something that should have disqualified him all by itself. Before you can forgive sins, you first must recognize them and make amends. Kavanaugh didn't come close to doing that. Indeed, his entire career, and the broader agenda of the political movement he furthers, offers little more than repeated examples of the strong trampling the weak and the rich abusing the poor. New records rated this week:
Recent reissues, compilations, and vault discoveries rated this week:
Old music rated this week:
Grade (or other) changes:
Unpacking: Found in the mail last week:
|
