Blog Entries [680 - 689]

Sunday, January 28, 2018


Music Week

Music: current count 31033 [30993] rated (+40), 251 [257] unrated (-6).

After posting yesterday's Weekend Roundup, I read a few more pages into Ben Fountain's Beautiful Country Burn Again (mentioned in the post) and found this bit, so relevant to the week's news:

Even a cursory run through American history shows Exceptionalism has been used to justify monumental bloodshed, oppression, and profit. Cotton Mather saw "the evident hand of God" in the colonists' wholesale slaughter of Native Americans in King Philip's War, a genocide that would eventually roll all the way to the Pacific under the quasi-religious doctrine of Manifest Destiny. Over 300 years of slavery were justified on biblical grounds, as, variously, a means of saving African souls, or adherence to a divinely ordained natural order. For invasion and conquest in the name of liberty and democracy, we have the land grabs in Mexico in 1846-48, the Philippines in 1899-1902, and Panama in 1903. For the softer sorts of grabs -- i.e., imperialism -- in the early twentieth century, the career of Major General Smedley Butler (1881-1940) provides a useful guide to U.S. adventures in Mexico (again), Central America, Haiti, the Dominican Republic, Cuba, and China. A partial list of U.S.-sponsored or actively supported interventions, regime changes, and coups d'état for the latter half of the twentieth century would include Iran (coup, 1953), Guatemala (coup, 1954), Vietnam (coup, 1963; the war, 1965[?]-1973[?]), the Dominican Republic (intervention, 1965), Child (coup, 1973), Argentina (coup, 1976), Nicaragua (war, 1980s), El Salvador (war, 1980s), Panama (invasion, 1989), and Haiti (coup, 1991; invasion, 1994; coup, 2004). Underneath all the high-minded missionary rhetoric, you will usually find the throbbing heart of the profit motive.

You can add Venezuela to that list. In fact, you can wonder why Fountain didn't include it in the first place (or Colombia, which has been the main base for US troops in Latin America for 20-25 years now).


Still spending a lot of time checking out 2018 albums that have shown up on various EOY lists (see my Aggregate), but not finding much there. Three of this week's four A- releases are actually 2019 releases, all jazz, one dating back to 1966-67. Also got into some old music, as I noticed a Curtis Amy reissue, and followed that thread. I've long admired Amy's 1963 album Katanga, so thought it might be fun to hear more.

Expect a Streamnotes on or near the end of the month. I'll freeze my 2018 list then, and try to work up some stats for the year. The Music Tracking file is showing 1074 graded albums in 2018 -- still down from 1185 in 2017, but not as much as I had expected. I was surprised a couple months ago to find my Jazz and Non-Jazz best-of lists were already evenly balanced. Usually I start out with a big jazz advantage, then they even off as I catch up with EOY lists. This year, the opposite has occurred: starting close to even, I'm not up to 63 A/A- jazz, but only only 53 A/A- non-jazz.


I've been trying tonight to do a database update to the Robert Christgau website, and I keep running into character set problems. The database was originally designed and built in 2001, at which point doing everything using Latin-1 (ISO-8859-1 8-bit characters) seemed to make most sense. That was the default for MySQL at the time, but over the years MySQL and damn near everything else moved on to UTF-8. Until recently I've been able to keep chugging along by twiddling various settings to insist on Latin-1. At this point, I'm still able to use mysqldump to create a SQL file with Latin-1 encoding, but when I try to do the same thing through PhpMyAdmin, even when I explicitly specify ISO-8859-1 output, I'm getting a UTF-8 file. While I can use the command line on my machine, I've gotten into the habit of using CPanel and PhpMyAdmin to import my SQL dumps into the public server. Even when I start with a Latin-1 SQL dump file, and set the character set options in PhpMyAdmin to use ISO-8859-1, the import operation seems to be filling the database with UTF-8. The result has been that accented characters coming from the database are garbaged. (Of course, one suspicious thing is that "latin1" seems to be preferred by mysqldump, while PhpMyAdmin insists on "ISO-8859-1.)

A few weeks back, I announced that I would be creating a discussion list for technical and design issues for the Christgau website (and a few others I work on, including my own). Only a few people have written to me to sign up, and I have yet to use the list. If you're willing to help me figure out these technical issues, or if you just want to lurk as I struggle with them, write me and I'll sign you up.


New records rated this week:

  • 10^32K: The Law of Vibration (2018, self-released): [dl]: B+(**)
  • Amnesia Scanner: Another Life (2018, Pan): [r]: B+(*)
  • Baloji: 137 Avenue Kaniama (2018, Bella Union): [r]: B+(***)
  • Boy Azooga: (One) (Two) (Kung Fu!) (2018, Heavenly): [r]: B+(*)
  • Brothers Osborne: Port Saint Joe (2018, EMI Nashville): [r]: B
  • Cloud Nothings: Last Building Burning (2018, Carpark): [r]: B+(**)
  • Christopher Dell/Johannes Brecht/Christian Lillinger/Jonas Westergaard: Boulez Materialism: Live in Concert (2017 [2018], Plaist): [bc]: B+(**)
  • Moppa Elliott: Jazz Band/Rock Band/Dance Band (2017-18 [2019], Hot Cup, 2CD): [cd]: A-
  • Iro Haarla, Ulf Krokfors & Barry Altschul: Around Again: The Music of Carla Bley (2015 [2019], TUM): [cd]: A-
  • Alexander Hawkins: Iron Into Wind: Piano Solo (2018 [2019], Intakt): [cd]: B+(**)
  • Human Feel [Chris Speed/Andrew D'Angelo/Kurt Rosenwinkel/Jim Black]: Gold (2017 [2019], Intakt): [cd]: B+(*)
  • Juan Ibarra Quinteto: NauMay (2017 [2018], self-released): [r]: B+(*)
  • The Jayhawks: Back Roads and Abandoned Motels (2018, Legacy): [r]: B
  • Lil Baby: Harder Than Ever (2018, Quality Control): [r]: B+(**)
  • Lil Baby & Gunna: Drip Harder (2018, Quality Control): [r]: B+(***)
  • Lil Wayne: Tha Carter V (2018, Young Money/Republic): [r]: B+(**)
  • Meek Mill: Championships (2018, Maybach Music Group/Atlantic): [r]: B+(***)
  • Proc Fiskal: Insula (2018, Hyperdub): [r]: B+(**)
  • Joey Purp: Quarterthing (2018, self-released): [r]: B+(**)
  • Orquesta Del Tiempo Perdido: Stille (2016-17 [2018], Shhpuma): [r]: B
  • Tom Rainey Trio With Mary Halvorson and Ingrid Laubrock: Combobulated (2017 [2019], Intakt): [cd]: B+(***)
  • Mette Rasmussen & Chris Corsano: A View of the Moon (From the Sun) (2015 [2018], Clean Feed): [r]: B+(**)
  • Mette Rasmussen/Tashi Dorji: Mette Rasmussen/Tashi Dorji (2016 [2018], Feeding Tube): [bc]: B-
  • Wadada Leo Smith: Rosa Parks: Pure Love: An Oratorio of Seven Songs (2016-17 [2019], TUM): [cd]: B+(*)
  • Teyana Taylor: KTSE [Keep That Same Energy] (2018, GOOD Music/Def Jam, EP): [r]: B
  • Assif Tsahar/William Parker/Hamid Drake: In Between the Tumbling a Stillness (2015 [2018], Hopscotch): [dl]: A-

Recent reissues, compilations, and vault discoveries rated this week:

  • Ran Blake/Jeanne Lee: The Newest Sound You Never Heard (1966-67 [2019], A-Side, 2CD): [cd]: A-

Old music rated this week:

  • Curtis Amy & Paul Bryant: The Blues Message (1960, Pacific Jazz): [r]: B+(***)
  • Curtis Amy & Frank Butler: Groovin' Blue (1961, Pacific Jazz): [r]: B+(**)
  • Curtis Amy: Way Down (1962, Pacific Jazz): [r]: B+(**)
  • Curtis Amy: Tippin' On Through (1962, Pacific Jazz): [r]: B+(*)
  • Curtis Amy: Groovin' Blue/Way Down/Tippin' On Through (1961-62 [2013], Fresh Sound, 2CD): [r]: B+(**)
  • Curtis Amy Sextet: Peace for Love (1994, Fresh Sound): [r]: B+(***)
  • Ran Blake & Jeanne Lee: Free Standards: Stockholm 1966 (1966 [2013], Fresh Sound): [r]: B+(***)
  • Paul Bryant: Burnin' (1960, Pacific Jazz): [r]: B+(**)
  • Paul Bryant Featuring Curtis Amy & Jim Hall: The Blues Message (1960 [2010], Fresh Sound): [r]: B+(**)
  • Bumble Bee Slim: Back in Town (1962, Pacific Jazz): [r]: B+(**)
  • Curtis Counce: You Get More Bounce With Curtis Counce! (1956-57 [1984], Contemporary/OJC): [r]: B+(**)
  • The Curtis Counce Quintet: Exploring the Future (1958, Boplicity): [r]: B+(***)
  • Les McCann Ltd.: On Time (1962, Pacific Jazz): [r]: B+(*)

Ask a question, or send a comment.

Sunday, January 27, 2019


Weekend Roundup

Trump's lockout ended on Friday, for three weeks, anyway. I wouldn't make a big deal about Trump blinking or caving. He's a born bully, and still dangerous, so you'd just be taunting him. On the other hand, I'm pretty much convinced that the purpose of the lockout was to try to intimidate the new Democratic House, so we might as well acknowledge that in that regard he failed. Perry Bacon Jr. explains Why Trump Blinked, although the info graphic on "Trump Approval Ratings" is probably all you need to know: approve, 39.4%; disapprove, 56.0%. Those are his worst numbers since the 2016 election, and those numbers have never been above water.

Another big story was the much anticipated indictment and arrest of Roger Stone. My right-wing cousin on Facebook: "Gestapo tactics used against Roger Stone! A old man, his wife and a dog. A SWAT team in full gear for arresting! For shame F.B.I." Of course, Stone's not the first guy who's been Gestapoed by the FBI. That's pretty much their standard operating procedure. I can't even especially blame them here, given that the NRA has pretty much guaranteed that every criminal in America will be armed. The risk, of course, is that a half-cocked SWAT team member will freak out and kill someone for no good reason. We had a prime example of that here in Wichita, about a year ago.

Still, the bigger story is the coup that Trump & Co. tried to pull off in Venezuela. This one was a bit unorthodox. Normally, one tries to secure power first, then quickly recognize the plotters to help them consolidate power. This time Trump recognized the coup before there were any "facts on the ground," thereby alerting Maduro to the plot. As I recall, GW Bush recognized a coup in Venezuela [in 2002] that ultimately failed, but even he wasn't as premature as Trump.

This coup has been preceded by decades of vitriolic propaganda aimed at delegitimizing the democratically elected Chavez and Maduro governments. This has made it very difficult to know what reports are fair and accurate. On the other hand, the historical record is clear that the US has long exploited Venezuela (and virtually every other country in Latin America), leading to chronic poverty, extreme inequality, and harsh repression nearly everywhere -- and this has long made me sympathetic to political movements, like Chavez's, that have sought to halt and undo neo-liberal predation (even in cases where I don't particularly approve of the tactics). Whatever the facts here, Trump's actions are fully consistent with US policy of more than a century, and as such should be opposed.

Some links on Venezuela:


Some more scattered links this week:


PS: I asked for comments last week on a possible book outline, and got essentially zilch back. To save you the trouble of a click, I'll just paste them in here:

One thing I feel I need to decide this week (or, let's say, by the end of January, at latest) is whether I'm going to try to write my unsolicited advice book for Democrats in 2020. Say it takes three months to write, two to get edited and published, that gets us to July, by which time we'll probably have a dozen Democrats running for President. (I'm counting four right now: Elizabeth Warren, Kirsten Gillibrand, Julian Castro, and Tulsi Gabbard; Wikipedia lists more I wasn't aware of, plus an announcement pending from Kamala Harris tomorrow.) [Ballotpedia lists eight "notable" declared/exploratory Democratic candidates.] But that's just a measure of how soon what Matt Taibbi likes to call "the stupid season" will be upon us. I have no interest in handicapping the race, or even mentioning candidates by name. I'm more interested in historical context, positioning, and what I suppose we could call campaign ethics: how candidates should treat each other, the issues, the media, the voters, and Republicans. And note that the book is only directed toward Democrats who are actually concerned enough to get involved in actual campaigns. Even there, it won't be a "how to" book. I don't really know anything about running a campaign. It's more why we need candidates in the first place, and what those candidates should say.

Some rough ideas for the book:

  • I'm thinking about starting off with a compare/contrast between Donald Trump and George Washington. They are, by far, the richest Americans ever to have won office, and otherwise couldn't be more unalike (unless I have to deal with GW's ownership of slaves, which suggests some similar views on race). The clearest difference is how we relate to money, and how we expect politicians with money to serve.

  • I'd probably follow this up with brief compare/contrasts between Trump and selected other presidents. I might find various presidents that offer useful contrasts on things like integrity, diligence, intelligence, care, a sense of responsibility, a command of details, tolerance of corruption. I doubt I'd find any president Trump might compare favorably to, but it might be helpful to make the effort.

  • Then I want to talk about political eras. Aside from Washington/Adams, there are four major ones, each dominated by a party, each with only two exceptions as president:

    1. From 1800-1860, Jefferson through Buchanan, interrupted only by two Whig generals (and their VPs, since both died in office, Harrison especially hastily).
    2. From 1860-1932, Lincoln through Hoover, interrupted only by two two-term Democrats (Cleveland and Wilson).
    3. From 1932-1980, Roosevelt through Carter, interrupted only by two two-term Republicans (Eisenhower and Nixon/Ford).
    4. From 1980-2020, Reagan through Trump, interrupted only by two two-term Democrats (Clinton and Obama).

    There's quite a bit of interesting material I can draw from those periods. Each starts with a legendary figure, and ends with a one-term disaster. (I suppose you could say that about Washington/Adams as well, but that's a rather short descent for an era.) In each, the exceptions substantially resemble the dominant party. But the Reagan-to-Trump era does reflect an anomaly: each of the first three eras started with a shift to a broader and more egalitarian democracy, whereas Reagan was opposite. Each era had a mid-period nudge in the same direction (Jackson/Van Buren, Roosevelt, Kennedy/Johnson, but also GW Bush). Of course, the anti-democratic tilt of Reagan-to-Trump needs some extra analysis, both to show how it could run against the long arc of American history and why after 1988 it was never able to post commanding majorities (as occurred in previous eras).

  • I then posit that in 2020 the goal is not just to defeat Trump but to win big enough to launch a new (and overdue) era. This will be the big jump, but I think if Democrats aim big, they can win big -- and it will take nothing less to make the necessary changes. This is possible because Republicans, both with and without Trump, have boxed themselves into a corner where all of their beliefs and commitments only serve to further hurt the vast majority of Americans. It will be tough because Republicans still have a stranglehold on a large segment of the public. But this spell can be broken if Democrats look beyond the conciliatory tactics and marginal goals that marked the campaigns of Obama and the Clintons.

  • At some point this segues into a lesson on the need for unity and tolerance of diversity within the Democratic Party. I'll probably bring up Reagan's "11th commandment," which served Reagan well but has since been lost on recent Tea Partiers and RINO-bashers (although the post-election fawning over Trump suggests that Republicans will come around to backing anything that wins for them).

  • I'll probably wind up with a brief survey of issues, which will stress flexibility and feedback within a broad set of principles. I can imagine later doing a whole book on this, but this would just offer a taste.

Book doesn't need to be more than 300 pages, and could be as short as half that. It is important to get it out quickly to have any real impact. I would consider working with a co-author, especially someone who could carry on to do much of the promotion -- something I'm very unlikely to be much good at.

While I can imagine that this could be worth doing, I can also think of various reasons not to bother. The obvious one is that I haven't been feeling well, having a good deal of back pain, and having a trouble with my eyes -- things that have taken a toll from my normal workload over the last few months. I also seem to be having more difficulties coming up with satisfactory writing. I spent a lot of time yesterday trying to write up a response to a particularly annoying Facebook rant, and never did come up with anything I felt like sharing. I am especially bothered by self-destructive arguments I see both on the left and the right of the Democratic Party spectrum, and this sometimes tempts me to throw up my hands and leave you all to your fates. On the other hand, sometimes this tempts me to think that all the help you need is a little clarity that I fancy I can provide.

Just knocked this much off the top of my head, in two sets of a couple hours each, so this is very rough. Next step will be to try to flesh out a bit more outline, maybe 3-5 times the length, with a lot of bullet points. That would be the goal for the next 7-10 days. If I manage that, I'll circulate it to a few friends, then make a decision whether to proceed. The alternative project at this point is probably a memoir, which is something that can take however much time it takes (or however much I have left).

Comments welcome, and much appreciated.

I haven't made any notable progress in the intervening week, which is probably not a good sign. I have started reading Ben Fountain's book, Beautiful Country Burn Again: Democracy, Rebellion, and Revolution, which is mostly reportage of the 2016 campaign, but a cut above, partly the writing -- Fountain is best known for his novel (Billy Lynn's Long Halftime Walk) -- and partly because he pays as much attention to the public as to the politicians. (The paperback subtitle is Trump's Rise to Power and the State of the Country That Voted for Him. I can't say it's helped me a lot in thinking about my book, but does keep my head somewhat in the game.

Other books I've read on the 2016 election and/or Trump (latest to oldest):

  • Katy Tur: Unbelievable: My Front-Row Seat to the Craziest Campaign in American History
  • Allen Frances: Twilight of American Sanity: A Psychiatrist Analyzes the Age of Trump
  • David Frum: Trumpocracy: The Corruption of the American Republic
  • Mark Lilla: The Once and Future Liberal
  • Mark Singer: Trump and Me
  • Jonathan Allen/Amie Parnes: Shattered: Inside Hillary Clinton's Doomed Campaign
  • Bernie Sanders: Our Revolution: A Future to Believe In
  • Matt Taibbi: Insane Clown President: Dispatches From the 2016 Circus

Ask a question, or send a comment.

Tuesday, January 23, 2018


Music Week

Music: current count 30993 [30949] rated (+44), 257 [263] unrated (-6).

No real reason I didn't post this on Monday, except it was a rough day and I didn't feel like writing an introduction. Been adding some polls to the EOY Aggregate, and will probably keep doing that until I get to the end of the Metacritic Top-Tens list, decide what to do with the lists on Acclaimed Music Forums bulletin board, and/or the Village Voice's Pazz & Jop critics poll comes out. (No idea when, but I hear that Robert Christgau will have a small piece there. Last year's came out on January 22, but as of this writing it's not there yet.) I can give you a link for the Uproxx Music Critics Poll, which was hastily opened back when nobody knew whether the Voice would do anything. They got "nearly 200 critics" to vote, and the top of the list is (in brackets, first the record's position in my EOY Aggregate list, then my grade):

  1. Kacey Musgraves: Golden Hour (MCA Nashville): [2: B]
  2. Janelle Monáe: Dirty Computer (Bad Boy) [1: A-]
  3. Mitski: Be the Cowboy (Dead Oceans) [3: B]
  4. Pusha T: Daytona (GOOD/Def Jam, EP) [4: B+(***)]
  5. Cardi B: Invasion of Privacy (Atlantic) [5: A-]
  6. Lucy Dacus: Historian (Matador) [37: B+(*)]
  7. Ariana Grande: Sweetener (Republic) [15: B]
  8. The 1975: A Brief Inquiry Into Online Relationships (Dirty Hit/Polydor) [40: B]
  9. Boygenius: Boygenius (Matador, EP) [46: B]
  10. Noname: Room 25 (self-released) [9: A-]

Finishing scores for Other records in my EOY Aggregate top 20 (here the bracket number is the Uproxx finish):

  1. Robyn: Honey (Konichawa/Interscope) [14: B+(**)]
  2. Idles: Joy as an Act of Resistance (Partisan) [88: B+(***)]
  3. Low: Double Negative (Sub Pop) [18: B+(*)]
  4. Parquet Courts: Wide Awake! (Rough Trade) [21: A-]
  5. Kamasi Washington: Heaven and Earth (Young Turks, 2CD) [23: B+(***)]
  6. Courtney Barnett: Tell Me How You Really Feel (Mom + Pop Music) [39: B+(***)]
  7. Sophie: Oil of Every Pearl's Un-Insides (MSMSMSM/Future Classic) [26: B+(***)]
  8. Christine and the Queens: Chris (Because Music) [43: B+(**)]
  9. Arctic Monkeys: Tranquility Base Hotel & Casino (Domino) [30: C+]
  10. Kali Uchis: Isolation (Virgin EMI) [22: A-]
  11. Blood Orange: Negro Swan (Domino) [84: B+(**)]
  12. Beach House: 7 (Sub Pop) [15: B+(**)]
  13. Black Panther: The Album (Music From and Inspired By) (Top Dawg/Aftermath/Interscope) [19: B+(***)]

I can't says as I recognize many of the critics who voted for Uproxx. (I wasn't invited, nor was I invited to Pazz & Jop, despite having voted in the latter every year since 2003 -- and a few years back in the 1970s.) I still think Janelle Monáe's Dirty Computer has to be a pretty solid favorite to win Pazz & Jop. Monáe leads Album of the Year's Aggregate, with 364 points to 353 for Mitski and 295 for Musgraves. My list had that same order, albeit with a much larger point edge, until this last week, when Musgraves edged into second ahead of Mitski. Metacritic (link above) has Musgraves edging Monáe out, 98.5 to 97 (with Mitski at 88), followed by Idles, Pusha T, Cardi B, Low, Robyn, Christine and the Queens, and Ariana Grande.

I'm not real sure what's going on with Acclaimed's spreadsheets (they don't seem to be publicly available as such), but the latest summary I've seen lists the top ten as: Janelle Monáe, Low, Idles, Pusha T, Mitski, Robyn, Kacey Musgraves, Sophie, Kamasi Washington, and Beach House, followed by Rosalia (El Mal Querer), Arctic Monkeys, Cardi B, Courtney Barnett, Parquet Courts, Blood Orange, Christine and the Queens, Jon Hopkins (Singularity), Kali Uchis, and US Girls (In a Poem Unlimited). Acclaimed has less of a US focus, with a lot of non-English lists from Europe and a few from Latin America -- places where Musgraves falls down and Idles (and Rosalia) pick up.

Maybe I'll find time (and inspiration) to say more about this when I wrap up my own little project.


New records rated this week:

  • Aphex Twin: Collapse EP (2018, Warp, EP): [r]: B+(***)
  • Archivist & Fugal: Undertow (2018, BleeD, EP): [r]: B+(**)
  • Daniel Avery: Song for Alpha (2018, Phantasy Sound/Mute): [r]: B+(*)
  • Daniel Bennett Group: We Are the Orchestra (2018, Manhattan Daylight Media, EP): [r]: B
  • Ran Blake/Clare Ritter: Eclipse Orange (2017 [2019], Zoning): [cd]: A-
  • Samantha Boshnack's Seismic Belt: Live in Santa Monica (2018 [2019], Orenda): [cd]: A-
  • Bruce: Sonder Somatic (2018, Hessle Audio): [r]: B+(**)
  • Dillon Carmichael: Hell on an Angel (2018, Riser House): [r]: B+(*)
  • Extra Large Unit: More Fun Please (2017 [2019], PNL): [bc]: B
  • First Aid Kit: Ruins (2018, Columbia): [r]: B
  • George FitzGerald: All That Must Be (2018, Double Six): [r]: B+(**)
  • Helena Hauff: Qualm (2018, Ninja Tune): [r]: B+(***)
  • Will Hoge: My American Dream (2018, Thirty Tigers/EDLO, EP): [r]: B+(**)
  • Christoph Irniger Pilgrim: Crosswinds (2018 [2019], Intakt): [cd]: B+(**)
  • J.I.D: DiCaprio 2 (2018, Dreamville/Interscope): [r]: B+(*)
  • Michael Kocour: East of the Sun (2018 [2019], OA2): [cd]: B+(*)
  • Adam Kolker & Russ Lossing: Whispers and Secrets (2014 [2018], Fresh Sound): [r]: B+(*)
  • Kukuruz Quartet: Julius Eastman: Piano Interpretations (2017 [2018], Intakt): [r]: B+(*)
  • Kuzu: Hiljaisuus (2017 [2018], Astral Spirits): [bc]: B+(***)
  • Maribou State: Kingdoms in Colour (2018, Counter): [r]: B+(*)
  • Bill McHenry Trio: Ben Entrada La Nit (2015 [2018], Fresh Sound New Talent): [r]: B+(***)
  • Dave Meder: Passage (2018 [2019], Outside In Music): [cd]: B+(***)
  • Miss Red: K.O. (2018, Pressure): [r]: B+(***)
  • Kelly Moran: Ultraviolet (2018, Warp): [r]: B+(*)
  • Whitey Morgan and the 78's: Hard Times and White Lines (2018, Whitey Morgan Music): [r]: B+(*)
  • Greg Murphy Trio: Bright Idea (2018 [2019], Whaling City Sound): [cd]: B+(**)
  • Eva Novoa's Ditmas Quartet: Live at IBeam (2016 [2018], Fresh Sound New Talent): [r]: A-
  • Objekt: Cocoon Crush (2018, PAN): [r]: B+(**)
  • Ross From Friends: Family Portrait (2018, Brainfeeder): [r]: B+(**)
  • Dave Rudolph Quintet: Resonance (2018 [2019], self-released): [cd]: B+(*)
  • Jamie Saft/Steve Swallow/Bobby Previte: You Don't Know the Life (2018 [2019], RareNoise): [cdr]: B
  • Troye Sivan: Bloom (2018, Capitol): [r]: B
  • Sleaford Mods: Sleaford Mods (2018, Rough Trade, EP): [r]: B
  • Caitlyn Smith: Starfire (2018, Monument): [r]: B
  • Walter Smith III: Twio (2018, Whirlwind): [bc]: A-
  • Walter Smith III/Matthew Stevens/Joel Ross/Harish Raghavan/Marcus Gilmore: In Commmon (2017 [2018], Whirlwind): [r]: B+(**)
  • Wing Walker Orchestra: Hazel (2017 [2019], Ears & Eyes): [cd]: B+(*)
  • Ken Vandermark/Nate Wooley: Deeply Discounted II/Sequences of Snow (2018, Pleasure of the Text/Audiographic, EP): [bc]: B
  • Leon Vynehall: Nothing Is Still (2018, Ninja Tune): [r]: B+(**)
  • Jamie Lin Wilson: Jumping Over Rocks (2018, self-released): [r]: B+(**)
  • Peter Zak Quartet Featuring Marcos Varela: One Mind (2017 [2018], Fresh Sound New Talent): [r]: B+(**)

Recent reissues, compilations, and vault discoveries rated this week:

  • André Hodeir: Essais: Complete Paris & New York Sessions (1954-60 [2017], Fresh Sound, 2CD): [r]: B+(*)
  • Sun Ra: Crystal Spears (1973 [2019], Modern Harmonic): [bc]: B+(**)

Old music rated this week:

    Stay Awake: Various Interpretations of Music From Vintage Disney Films (1988, A&M): [r]: B+(*)


Grade (or other) changes:

  • The End [Sofia Jernberg/Mats Gustafsson/Kjetil Moster/Anders Hana/Greg Saunier]: Svårmod Och Vemod Är Värdesinnen (2018, RareNoise): [cdr]: album title wrong D+


Unpacking: Found in the mail last week:

  • The United States Air Force Band Airmen of Note: Global Reach (self-released)

Ask a question, or send a comment.

Sunday, January 20, 2019


Weekend Roundup

The shutdown, or as David Frum put it, "the President's hostage attempt," goes on, revulsing and alienating government workers and the public on top of the revulsion and alienation they first felt when he took office and started to self-destruct the government. (The exception, or so we're told, is the ICE border agent union, which relishes the idea of moving from the backwaters of law enforcement to the closest thing we've ever had to Hitler's SS.) As I've noted before, the first and foremost job of every Chief Executive is to keep things working. In many regards Trump had already broken the organizations he was responsible for running before he shuttered offices and halted paychecks (e.g., see the story below on EPA prosecutions). His new cudgel is blunter, and dumber.

The first thing that popped into my mind when Trump insisted on shutting down the government is that this is why we don't negotiate with terrorists. Except I couldn't use that, because I believe that we should negotiate with terrorists, with hostage-takers, with all manner of brutes and bullies. I'd even be willing to quote Winston Churchill, something about "jaw-jaw" being better than "war-war." But Trump sees this as a test of power, to be resolved by bending Congressional Democrats into submission. The reason terrorists have such a poor reputation for negotiating is that, like Trump, they're insatiable. Republicans have played this budget chokehold card many times since 1995, always coming back for more, so what Trump is doing is completely in character. The difference this time is that Democrats didn't win a major election just to let Trump trod all over them. They were voted in to resist Republican tyranny, and this is their first serious test.


One thing I feel I need to decide this week (or, let's say, by the end of January, at latest) is whether I'm going to try to write my unsolicited advice book for Democrats in 2020. Say it takes three months to write, two to get edited and published, that gets us to July, by which time we'll probably have a dozen Democrats running for President. (I'm counting four right now: Elizabeth Warren, Kirsten Gillibrand, Julian Castro, and Tulsi Gabbard; Wikipedia lists more I wasn't aware of, plus an announcement pending from Kamala Harris tomorrow.) But that's just a measure of how soon what Matt Taibbi likes to call "the stupid season" will be upon us. I have no interest in handicapping the race, or even mentioning candidates by name. I'm more interested in historical context, positioning, and what I suppose we could call campaign ethics: how candidates should treat each other, the issues, the media, the voters, and Republicans. And note that the book is only directed toward Democrats who are actually concerned enough to get involved in actual campaigns. Even there, it won't be a "how to" book. I don't really know anything about running a campaign. It's more why we need candidates in the first place, and what those candidates should say.

Some rough ideas for the book:

  • I'm thinking about starting off with a compare/contrast between Donald Trump and George Washington. They are, by far, the richest Americans ever to have won office, and otherwise couldn't be more unalike (unless I have to deal with GW's ownership of slaves, which suggests some similar views on race). The clearest difference is how we relate to money, and how we expect politicians with money to serve.

  • I'd probably follow this up with brief compare/contrasts between Trump and selected other presidents. I might find various presidents that offer useful contrasts on things like integrity, diligence, intelligence, care, a sense of responsibility, a command of details, tolerance of corruption. I doubt I'd find any president Trump might compare favorably to, but it might be helpful to make the effort.

  • Then I want to talk about political eras. Aside from Washington/Adams, there are four major ones, each dominated by a party, each with only two exceptions as president:

    1. From 1800-1860, Jefferson through Buchanan, interrupted only by two Whig generals (and their VPs, since both died in office, Harrison especially hastily).
    2. From 1860-1932, Lincoln through Hoover, interrupted only by two two-term Democrats (Cleveland and Wilson).
    3. From 1932-1980, Roosevelt through Carter, interrupted only by two two-term Republicans (Eisenhower and Nixon/Ford).
    4. From 1980-2020, Reagan through Trump, interrupted only by two two-term Democrats (Clinton and Obama).

    There's quite a bit of interesting material I can draw from those periods. Each starts with a legendary figure, and ends with a one-term disaster. (I suppose you could say that about Washington/Adams as well, but that's a rather short descent for an era.) In each, the exceptions substantially resemble the dominant party. But the Reagan-to-Trump era does reflect an anomaly: each of the first three eras started with a shift to a broader and more egalitarian democracy, whereas Reagan was opposite. Each era had a mid-period nudge in the same direction (Jackson/Van Buren, Roosevelt, Kennedy/Johnson, but also GW Bush). Of course, the anti-democratic tilt of Reagan-to-Trump needs some extra analysis, both to show how it could run against the long arc of American history and why after 1988 it was never able to post commanding majorities (as occurred in previous eras).

  • I then posit that in 2020 the goal is not just to defeat Trump but to win big enough to launch a new (and overdue) era. This will be the big jump, but I think if Democrats aim big, they can win big -- and it will take nothing less to make the necessary changes. This is possible because Republicans, both with and without Trump, have boxed themselves into a corner where all of their beliefs and commitments only serve to further hurt the vast majority of Americans. It will be tough because Republicans still have a stranglehold on a large segment of the public. But this spell can be broken if Democrats look beyond the conciliatory tactics and marginal goals that marked the campaigns of Obama and the Clintons.

  • At some point this segues into a lesson on the need for unity and tolerance of diversity within the Democratic Party. I'll probably bring up Reagan's "11th commandment," which served Reagan well but has since been lost on recent Tea Partiers and RINO-bashers (although the post-election fawning over Trump suggests that Republicans will come around to backing anything that wins for them).

  • I'll probably wind up with a brief survey of issues, which will stress flexibility and feedback within a broad set of principles. I can imagine later doing a whole book on this, but this would just offer a taste.

Book doesn't need to be more than 300 pages, and could be as short as half that. It is important to get it out quickly to have any real impact. I would consider working with a co-author, especially someone who could carry on to do much of the promotion -- something I'm very unlikely to be much good at.

While I can imagine that this could be worth doing, I can also think of various reasons not to bother. The obvious one is that I haven't been feeling well, having a good deal of back pain, and having a trouble with my eyes -- things that have taken a toll from my normal workload over the last few months. I also seem to be having more difficulties coming up with satisfactory writing. I spent a lot of time yesterday trying to write up a response to a particularly annoying Facebook rant, and never did come up with anything I felt like sharing. I am especially bothered by self-destructive arguments I see both on the left and the right of the Democratic Party spectrum, and this sometimes tempts me to throw up my hands and leave you all to your fates. On the other hand, sometimes this tempts me to think that all the help you need is a little clarity that I fancy I can provide.

Just knocked this much off the top of my head, in two sets of a couple hours each, so this is very rough. Next step will be to try to flesh out a bit more outline, maybe 3-5 times the length, with a lot of bullet points. That would be the goal for the next 7-10 days. If I manage that, I'll circulate it to a few friends, then make a decision whether to proceed. The alternative project at this point is probably a memoir, which is something that can take however much time it takes (or however much I have left).

Comments welcome, and much appreciated.


Meanwhile, some scattered links this week:

Ask a question, or send a comment.

Monday, January 14, 2019


Music Week

Music: current count 30949 [30913] rated (+36), 263 [260] unrated (+3).

Rated count remains healthy despite my various disabilities. The breakdown shifted rather dramatically toward "recent reissues, compilations, and vault discoveries" -- probably because I finally added a few rather deep compilation-oriented lists to my EOY Aggregate and its Old Music companion, including the complete Jazz Critics Poll: Reissues/Historical list. Some other late-breaking polls I picked up:

The James Brown compilation topped the Ye Wei list, and could have rated higher had I spent more time with it. The FOLC is one of those retro-rock things Phil Overeem especially loves. I was vaguely aware that a lot of Sun Ra had been reissued last year, so when my first two picks turned out to be especially good, I tried out a bunch more. Trying to figure out the lay of the land, I jotted down a list of 85 more Sun Ra albums on Napster that I haven't heard. I should return to them at some point.

There is a new XgauSez over on Robert Christgau's website, as well as the 2018 Dean's List. I wanted to get the reviews caught up, but in the end decided just to post the list. Still don't feel up to starting the planned site redesign, and probably shouldn't risk it until I do.

I gather there is a Village Voice Pazz & Jop poll in the works, so that will probably wrap up my EOY list madness. Christgau held back his point assignments for the poll, although I wouldn't expect them to post ballots this year after they failed last year. Christgau will be writing some kind of piece for the poll. For the first time in 15+ years I didn't get an invite, so I find myself losing interest. Much more info can be mined from my own EOY Aggregate anyway.


New records rated this week:

  • Art Brut: Wham! Bang! Pow! Let's Rock Out (2018, Alcopop!): [r]: B+(**)
  • David Binney: Here & Now (2018, Mythology): [r]: B-
  • Itamar Borochov: Blue Nights (2018 [2019], Laborie Jazz): [cd]: B+(**)
  • Peter Brotzmann & Fred Lonberg-Holm: Ouroboros (2011 [2018], Astral Spirits): [bc]: B+(***)
  • Chuck Deardorf: Perception (2017-18 [2019], Origin): [cd]: B+(**)
  • The Delines: The Imperial (2019, El Cortez): [r]: B+(***)
  • Bryan Ferry and His Orchestra: Bitter-Sweet (2018, BMG): [r]: B+(**)
  • Joe Fiedler: Open Sesame (2018 [2019], Multiphonics Music): [cd]: B+(***)
  • Miho Hazama: Dancer in Nowhere (2018 [2019], Sunnyside): [cd]: B+(**)
  • Janczarski & McCraven Quintet: Liberator (2016 [2018], ForTune): [bc]: B+(*)
  • Brandon Lopez: Quoniam Facta Sum Vilis (2018, Astral Spirits): [bc]: B+(*)
  • Loretta Lynn: Wouldn't It Be Great (2006-17 [2018], Legacy): [r]: B+(**)
  • Quinsin Nachoff's Flux: Path of Totality (2016-17 [2019], Whirlwind, 2CD): [cd]: A-
  • May Okita: Art of Life (2018 [2019], Origin): [cd]: B+(**)
  • Ernie Watts Quartet: Home Light (2018, Flying Dolphin): [cd]: B+(**)
  • Zeal and Ardor: Stranger Fruit (2018, MVKA): [r]: B+(*)
  • Denny Zeitlin/Buster Williams/Matt Wilson: Wishing on the Moon (2009 [2018], Sunnyside): [r]: B+(**)

Recent reissues, compilations, and vault discoveries rated this week:

  • Gordon Beck Quartet: When Sunny Gets Blue (1966-68 [2018], Another Planet): [r]: B+(*)
  • James Brown & the Famous Flames: The Federal & King Singles As and Bs 1956-61 (1956-61 [2018], Acrobat, 2CD): [r]: A-
  • Feeling Kréyol: Las Palé (1988, Strut, EP): [r]: B+(*)
  • Girls Just Wanna Have Fun!! And Rights!! ([2018], FOLC): [bc]: A-
  • Gumba Fire: Bubblegum Soul & Synth-Boogie in 1980s South Africa (Soundway): [r]: B+(**)
  • Guy Lafitte: His Tenor Sax & Orchestra 1954-1959 (1954-59 [2018], Fresh Sound): [r]: B+(***)
  • Guy Lafitte: Quartet & Sextet Sessions 1956-1962 (1956-62 [2018], Fresh Sound): [r]: B+(**)
  • Dave McKenna: In Madison (1991 [2018], Arbors): [r]: B+(**)
  • John Prine: Live in Asheville '86 (1986 [2016], Oh Boy): [bc]: B+(**)
  • Sun Ra & His Arkestra: Sun Ra With Pharoah Sanders & Black Harold: Judson Hall, New York, Dec. 31, 1964 (1964 [2018], Enterplanetary Koncepts): [bc]: B+(**)
  • Sun Ra: Astro Black (1972 [2018], Modern Harmonic): [r]: B+(*)
  • Sun Ra: The Cymbals/Symbols Sessions: New York City 1973 (1973 [2018], Modern Harmonic, 2CD): [bc]: B+(***)
  • Sun Ra & His Arkestra: Discipline 99 (Out Beyond the Kingdom Of) (1974 [2018], Enterplanetary Koncepts): [bc]: B+(**)
  • Sun Ra: Of Abstract Dreams (1974-75 [2018], Strut): [r]: A-
  • Sun Ra and His Arkestra: Taking a Chance on Chances (1977 [2018], Enterplanetary Koncepts): [r]: B+(***)
  • Sun Ra: God Is More Than Love Can Ever Be (1979 [2018], Cosmic Myth): [r]: A-
  • Sun Ra: Sun Ra Plays Gershwin (1951-89 [2018], Enterplanetary Koncepts): [r]: B
  • Jesse Sharps Quintet & P.A.P.A.: Sharps and Flats (2004 [2018], Nimbus West/Outernational Sounds): [r]: B+(***)

Old music rated this week:

  • Sun Ra and His Myth Science Arkestra: We Travel the Space Ways (1960 [2012], Enterplanetary Koncepts): [r]: B+(*)


Grade (or other) changes:

  • Joshua Redman/Ron Miles/Scott Colley/Brian Blade: Still Dreaming (2017 [2018], Nonesuch): [r]: [was B+(**)] B+(***)


Unpacking: Found in the mail last week:

  • Moppa Elliott: Jazz Band/Rock Band/Dance Band (Hot Cup, 2CD): February 14
  • Iro Haarla, Ulf Krokfors & Barry Altschul: Around Again (TUM)
  • Alexander Hawkins: Iron Into Wind: Piano Solo (Intakt)
  • Heroes Are Gang Leaders: The Amiri Baraka Sessions (Flat Langston's Arkeyes)
  • Human Feel [Chris Speed/Andrew D'Angelo/Kurt Rosenwinkel/Jim Black]: Gold (Intakt)
  • Greg Murphy Trio: Bright Idea (Whaling City Sound)
  • Tom Rainey Trio With Mary Halvorson and Ingrid Laubrock: Combobulated (Intakt)
  • Dave Rudolph Quintet: Resonance (self-released)
  • Wadada Leo Smith: Rosa Parks: Pure Love: An Oratorio of Seven Songs (TUM): February 15
  • Ernie Watts Quartet: Home Light (Flying Dolphin)

Ask a question, or send a comment.

Sunday, January 13, 2019


Weekend Roundup

For many years now, I've identified two major political problems in America. The most obvious one is the nation's habit and obsession with projection of military power as its leverage in dealing with other nations. As US economic power has waned, and as America shed its liberal ideals, it's become easier for others to challenge its supremacy. In turn, American power has hardened around its military and covert networks, placing the nation on a permanent war footing. This near-constant state of war, since 1945 but even more blatantly since 2001, has led to numerous social maladies, like domestic gun violence and the xenophobia leading to the current "border crisis."

The other big problem is increasing inequality. The statistics, which started in the 1970s but really took off in the "greed is good" 1980s, are clear and boring, but the consequences are numerous, both subtle and pernicious. It would take a long book to map out most of the ways the selfish pursuit and accumulation of riches has warped business, politics, and society. One small example is that when GW Bush arbitrarily commanded the world to follow his War on Terror lead ("you're either with us or against us"), he was assuming that as US President he was entitled to the same arbitrary powers (and lack of accountability) corporate CEOs enjoyed.

I used to wonder how Reagan was able to affect such a huge change in America despite relatively sparse legislative accomplishments -- mostly his big tax cut. The answer is that as president he could send signals to corporate and financial leaders that government would not interfere with their more aggressive pursuit of power and profit. Reagan's signals have been reiterated by every Republican president since, with ever less concern for scruples or ethics or even the slightest concern for consequences. All Trump has done has been to carry this logic to its absurdist extreme: his greed is shameless, even when it crosses into criminality.

Still, what the government lockout, now entering its fourth week, shows, is that we may need to formulate a third mega-ailment: we seem to have lost our commitment to basic competency. We should have seen this coming when politicians (mostly Republicans) decided that politics trumps all other considerations, so they could dispute (or ignore) any science or expertise or so-called facts they found inconvenient. (Is it ironical that the same people who decry "political correctness" when it impinges on their use of offensive rhetoric are so committed to imposing their political regimen on all discussions of what we once thought of as reality?)

A couple things about competency. One is that it's rarely noticed, except in the breech. You expect competency, even when you're engaging with someone whose qualifications you can properly judge -- a doctor, say, or a computer technician, or a mechanic. You also expect a degree of professional ethical standards. Trust depends on those things, and no matter how many time you're reminded caveat emptor, virtually everything you do in everyday life is built on trust. We can all point to examples of people who violated your trust, but until recently such people were in the minority. Now we have Donald Trump. And sure, lots of us distrusted him from the start of his campaign. He was, after all, vainglorious, corrupt, a habitual liar, totally lacking in empathy, his head full of mean-spirited rubbish.

On the other hand, even I am shocked at how incapable Trump has been at understanding the most basic rudiments of his job. There's nothing particularly wrong with him having policy views, or even an agenda, but the most basic requirement of his job is that he keep the government working, according to the constitution and the laws as established per that constitution -- you know, the one he had to swear to protect and follow when he took his oath of office. There have been shutdowns in the past -- basically ever since Newt Gingrich decided the threat would be a clever way to extort some policy concessions from Bill Clinton -- but this is the first one that was imposed by a president.

His reason? Well, obviously he's made a political calculation, where he thinks he can either bully the Democrats into giving him something they really hate ($5.7 billion so he can brag about how he's delivering that "big, beautiful wall" he campaigned on) and thereby restore his "art of the deal" mojo from the tarnish of losing the 2018 "midterms" so badly, or rouse the American people (his base, anyway) into blaming the Democrats for all the damage the shutdown causes. Either way, he feels that his second-term election in 2020 depends on this defense of political principle. Besides, he hates the federal government anyway -- possibly excepting the military and a few other groups currently exempt from the shutdown -- mostly because he's bought into the credo that "politics is everything, and everything is politics" (which makes most of the Democrat-leaning government enemy territory).

On the other hand, all he's really shown is that he's unfit to hold office, because he's forgotten that his main job is to keep the United States government working: implementing and enforcing the laws of the land, per the constitution. One might argue that using his office for such a political ploy is as significant a violation of his trust as anything else he's done. Indeed, one might argue that it is something he should be impeached for (although that would require a political consensus that has yet to form -- not that he isn't losing popularity during this charade).


Some scattered links this week:

Ask a question, or send a comment.

Monday, January 7, 2019


Music Week

Music: current count 30913 [30874] rated (+39), 260 [251] unrated (+9).

The 13th Annual Jazz Critics Poll results were published by NPR early Saturday morning, with two pieces by Francis Davis:

  • The 2018 NPR Music Jazz Critics Poll: Top 50 new albums (blurbs by various authors on top ten), five additional blurbs on "Solitary No. 1s" (records that only received one vote, a 1st place, including one I wrote on The Music of Anders Garstedt), and one blurb and top ten (or less) standings for the other categories: Reissues/Historical, Debuts, Latin, Vocals.
  • Wayne Shorter Travels the Spaceways, with Davis's own year summary plus his own annotated ballot.

As has been the case since 2009, I tabulated all of the ballots and formatted them and complete totals here. Since I posted all that, I've had to update the files a few times. Most troubling were cases where I counted votes for the wrong record by an artist (one of the Esperanza Spalding votes should have been for her 2017 album; two of the Mingus votes should have gone to Live in Montreux 1975. Other problems were routine typos, but all (so far) have been easy to fix.

Bigger problem is that I never got copied on Richard Scheinin's ballot, so it didn't get counted. Still unresolved what to do about that, but I took the trouble to dig his top-25 list out of his Twitter feed and added it into my EOY Aggregate. I've also added the entire new and historical album lists, but thus far I haven't dipped into the individual ballots. I've started to pick up individual ballots from All About Jazz writers (only a few of whom voted in JCP), and before long I'll take a look at the JJA member lists (which I wasn't able to find until today). I'm also doing some mop-up on rock/pop lists, but I'm starting to skip lists of little/no interest (chiefly metal). Don't know how long I'll keep this up, as the EOY list season is basically done, and the 223 lists I currently have logged give a pretty fair picture, at least in rock/pop, hip-hop, and (somewhat less) electronica.

While most of the records below are 2018 releases I've noted on lists and am belatedly checking out, two of the new A- albums are 2019 releases (and another by Quinsin Nachoff will show up in next week's report). I'm also treating Eric Dolphy's Musical Prophet as a 2019 release: physical CDs don't hit the market until Jan. 26, although a digital release came out Nov. 23, and enough critics heard and voted for it to finish 3rd in JCP -- alas, not me, not that it would have cracked my ballot (even if I didn't follow my recent rule of only voting for historical records I have physical copies of).

So the only new A- this week from the 2018 lists turns out to be Spiritualized, which at 49 was the highest-rated album I hadn't heard yet. I once loved their 1997 album, Ladies and Gentlemen We Are Floating in Space, but last time I checkec them out the record got a B-. Wound up playing the new one three times. Next few EOY Aggregate records I haven't heard don't seem more promising: Julia Holter, Iceage, Kurt Vile, Deafheaven, Anna Calvi, Cat Power, Drake, Troye Sivan, Ghost, Lump, MGMT, Daughters, Florence + the Machine, Jorja Smith, Elvis Costello, First Aid Kit. I'll probably play a few of those before end of January.

Among the top 50 JCP albums, I've managed to hear 47. The exceptions are numbers 50 (Elio Villafranca), 48 (Noah Preminger/Frank Carlberg), and 1 (Wayne Shorter). None of those are available on Napster or Bandcamp, nor do I recall any download offers. Shorter's Emanon is a 3-CD live set with a hard-cover graphic novel costing $53.82 on CD and $156.38 on vinyl. Not sure how well this was serviced -- I don't even get email from Blue Note these days, which hasn't been a problem given that everything else they release is available on Napster, and since they decided to bet on hip-hop fusion they haven't released much that's worth hearing. (This year: two ***, from Rosanne Cash and Charles Lloyd/Lucinda Williams; two **, from Kenny Barron and Dave McMurray; five *: Ambrose Akinmusire, Terence Blanchard, Nels Cline, GoGo Penguin, José James; five B or worse.)

On the other hand, I've only heard 5 of the top-ten historical, with Dolphy's Musical Prophet the only physical (too late). Francis Davis remarked to me that the new albums list seemed to be governed by "more is better": 3-CD Shorter (and Sorey); 2-CDs from Akinmusire, Coleman, Halvorson, Salvant, Washington, plus separates that could have been joined by Threadgill and Thumbscrew (we counted the former separately, but merged the latter), plus 6-CD monsters from Okazaki and Kimbrough -- all in the top-20. But the real home of gigantism is the historical list, where the top 8 were all 2-CD or more, topped by the 21-CD The Art Ensemble of Chicago and Associated Ensembles and the 11-CD Sextet Parker 1993. (I had naively assumed that the latter was just a repackaging of Braxton's brilliant Charlie Parker Project 1993, so didn't bother investigating further, but the full digital is available on Bandcamp. I should take a close look at the site and see what else is accessible.

I've been tempted to revisit several albums after seeing how they placed in various lists. The only one with a regrade so far is Tierra Whack's 15-minute EP Whack World. When Christgau placed it in his top-10, I thought it might overcome my prejudice against EPs. Even without the video, it feels remarkably full. I also gave Mitski's Be the Cowboy (last week's Christgau A-, number 2 in my EOY Aggregate) another chance, but didn't for a moment feel like moving my grade above B. I'm usually a sucker for a well-crafted pop album, but there are several this year that do precious little for me (Robyn, Ariana Grande; I like Sophie a bit more, but a recent retry didn't help it). Right now re-listening to Joshua Redman's Still Dreaming (number 2 for Francis Davis), which will probably get a small bump.

Just finished reading Suzy Hansen's Notes on a Foreign Country: An American Abroad in a Post-American World, which winds up with a thoroughly damning critique of US foreign policy, not least because it pains her so much to admit to it all. But the cinch for her seems to have been returning to the US (Brooklyn, Mississippi) and seeing first-hand how the imperialist bile rots the nation from the inside. At a more detail level, she illustrates without coming to any real conclusions the ambivalences she feels about Kemal and Erdogan and their respective cults with their peculiar ways of both dovetailing with and rebelling against American hegemony.


New records rated this week:

  • 6lack: East Atlanta Love Letter (2018, LoveRenaissance/Interscope): [r]: B+(***)
  • Christopher Ali Solidarity Quartet: To Those Who Walked Before Us (2018, Jazz Och Solidaritet): [r]: B+(**)
  • Atmosphere: Mi Vida Local (2018, Rhymesayers Entertainment): [r]: B+(**)
  • Baco Exu Do Blues: Bluesman (2018, self-released): [r]: B+(**)
  • Blue Standard: A Good Thing (2018 [2019], Big Time): [cd]: B
  • Benjamin Boone/Philip Levine: The Poetry of Jazz: Volume Two (2012-18 [2019], Origin): [cd]: A-
  • Sheldon Brown Group: Blood of the Air (2018, Edgetone): [cd]: B+(*)
  • The Coathangers: Live (2018, Suicide Squeeze): [r]: B+(**)
  • CupcakKe: Eden (2018, self-released): [r]: B+(***)
  • Kris Davis/Matt Mitchell/Aruán Ortiz/Matthew Shipp: New American Songbooks: Volume 2 (2018, Sound American): [bc]: B+(**)
  • Dos Santos: Logos (2018, International Anthem): [r]: B+(*)
  • Dave Douglas Quintet: Brazen Heart: Live at Jazz Standard: Saturday (2015 [2018], Greenleaf Music, 2CD): [r]: B+(***)
  • Fire!: The Hands (2018, Rune Grammofon): [r]: B+(**)
  • Tim Hecker: Konoyo (2018, Kranky): [r]: B
  • Carlos Henriquez: Dizzy Con Clave: Live From Dizzy's Club Coca Cola (2018, RodBros Music): [r]: B+(***)
  • Here's to Us: Animals, Wild and Tame (2018, Hoob Jazz): [r]: B+(**)
  • Rolf Kühn: Yellow + Blue (2018, Edel/MPS): [r]: B+(**)
  • Jon Lundbom Big Five Chord: Harder on the Outside (2018 [2019], Hot Cup): [cd]: B+(***)
  • Mad Crush: Mad Crush (2018, Upon This Rock, EP): [r]: B+(**)
  • Adrianne Lenker: Abysskiss (2018, Saddle Creek): [r]: B+(*)
  • Jack Mouse Group: Intimate Adversary (2017 [2019], Tall Grass): [cd]: B+(*)
  • Grant Peeples & the Peeples Republik: Settling Scores Vol. II (2018, Gatorbone): [r]: B+(**)
  • Rae Sremmurd: SR3MM (2018, Ear Drummer/Interscope, 3CD): [r]: B
  • Rejoicer: Energy Dreams (2018, ,Stones Throw): [bc]: B+(**)
  • Jay Rock: Redemption (2018, Top Dawg/Interscope): [r]: B+(*)
  • Jeff Rosenstock: Post- (2018, Polyvinyl): [r]: B+(*)
  • Greg Saunier/Mary Halvorson/Ron Miles: New American Songbooks Volume 1 (2017, Sound American): [bc]: B+(**)
  • Boz Scaggs: Out of the Blues (2018, Concord): [r]: B+(*)
  • Serengeti: Dennis 6e (2018, People): [r]: B+(**)
  • Spiritualized: And Nothing Hurt (2018, Fat Possum): [r]: A-
  • Stephan Thelen: Fractal Guitar (2015-18 [2019], Moonjune): [cd]: A-
  • Martin Wind: Light Blue (2017 [2018], Laika): [r]: B-

Recent reissues, compilations, and vault discoveries rated this week:

  • Eric Dolphy: Musical Prophet: The Expanded 1963 New York Studio Sessions (1963 [2019], Resonance, 3CD)
  • Svein Finnerud Trio: Plastic Sun (1970 [2018], Odin): [r]: B+(*)

Old music rated this week:

  • Chicago Farmer: Midwest Side Stories (2016, self-released): [r]: B+(**)
  • Eric Dolphy: In Europe Vol. 1 (1961 [1990], Prestige/OJC): [r]: B+(**)
  • Eric Dolphy: In Europe, Vol. 2 (1961 [2006], Prestige/OJC): [r]: B+(**)
  • Eric Dolphy: In Europe/Volume 3 (1961 [1990], Prestige/OJC): [r]; B+(***)
  • Eric Dolphy: Conversations (1963, FM/Vee Jay): [r]: B+(***)
  • Eric Dolphy: Iron Man (1963 [1990], West Wind): [r]: B+(***)


Grade (or other) changes:

  • Tierra Whack: Whack World (2018, self-released, EP): [r]: [was: B+(***)] A-


Unpacking: Found in the mail last week:

  • Ran Blake/Clare Ritter: Eclipse Orange (Zoning): February 15
  • Itamar Borochov: Blue Nights (Laborie Jazz): February 1
  • Samantha Boshnack's Seismic Belt: Live in Santa Monica (Orenda): March 15
  • Sheldon Brown Group: Blood of the Air (Edgetone)
  • Chuck Deardorf: Perception (Origin): January 18
  • Joe Fiedler: Open Sesame (Multiphonics Music): February 25.
  • Miho Hazama: Dancer in Nowhere (Sunnyside): February 8
  • Christoph Irniger Pilgrim: Crosswinds (Intakt): January 18
  • Michael Kocour: East of the Sun (OA2): January 18
  • Dave Meder: Passage (Outside In Music): February 8
  • Quinsin Nachoff's Flux: Path of Totality (Whirlwind): February 8
  • May Okita: Art of Life (Origin): January 18
  • Jamie Saft/Steve Swallow/Bobby Previte: You Don't Know the Life (RareNoise): cdr, January 25
  • Wing Walker Orchestra: Hazel (Ears & Eyes): February 15

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Sunday, January 6, 2019


Weekend Roundup

Another pretty awful week, followed by a few hours grabbing a few links in case I ever want to look back and see what was happening, other than my own misery.

One point I've been wanting to make is that over quite some number of presidential administrations, I've noticed a pattern. At first, presidents are overwhelmed and wary of screwing up, so they tend to defer to their staff, in many ways becoming prisoners of whoever they happened to install -- usually the choice of their staff plus the party's unelected Washington insiders. However, presidential staff are usually careful to flatter their boss, faking fealty, and over time all that deference (even if insincere) bolsters the ego of whoever's president. Meanwhile the president gets comfortable, even a bit cocky about his accomplishments, so starts to impose his opinions and instincts. There are often further stages, and two-term presidents tend to go to seed six years in (Eisenhower and Reagan are obvious examples; Nixon didn't get that far; Clinton, Bush II, and Obama were sidelines with enemy-controlled Congresses). But we've clearly made the transition from Trump being the front man to actually being in charge, running an administration and party that is increasingly deferential to his every whim. And while most of us thought Trump was pretty nuts to start with, he used to stay comfortably within the Republican Party playbook. But increasingly, his chaos and madness are becoming uniquely his own. Sure, he still has to walk back an occasional notion, like his decision to withdraw ground troops from Syria. He may even find he has to give up on his budget extortion ploy (aka, the shutdown).

Lots of bad things are likely to come from this, but one can hope that two recent trends will only take firmer and broader root. The first is the understanding that what's wrong with Trump and what's wrong with the Republican Party are the same things, all the way down to their shared contempt for democracy and the people. The second, an outgrowth of the first, is that the Democratic Party is changing rapidly from a party that opportunistically tries to pass itself off as a "kinder, gentler version" of conservative/neoliberal orthodoxy to one that is serious about solving the real problems of war and powerlessness and inequality that have hurt the vast majority of American voters so grievously since Reagan.

I didn't write much about these themes below, but there's plenty of evidence to back them up.


Some scattered links this week:

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Monday, December 31, 2018


Music Week

Music: current count 30874 [30842] rated (+32), 251 [269] unrated (-18).

Surprised I accumulated so many records given how miserable I've been all week. I've only been able to sit at the computer for more than an hour at a time the last couple days. That cut down on how much I could stream, but I did make a considerable dent in my physical CD queue: as of this moment, I have zero pending 2018 albums, and not much looking on to 2019.

I added Robert Christgau's grades to my EOY Aggregate. I've only been adding my own grades as I've collected items from other lists, so there are a lot of things I will eventually add to the list but that aren't there now. Somewhat surprised that the following Christgau-rated albums hadn't appeared in any previously compiled list (his grades, then mine, where I have one):

  • Atmosphere: Mi Vida Local (Rhymesayers) [**, **]
  • Mandy Barnett: Strange Conversation (Dame Productions/Thirty Tigers) [A-, A-]
  • Born Ruffians: Uncle Duke & the Chief (Yep Roc) [*]
  • Chris Butler & Ralph Carney: Songs for Unsung Holidays (Smog Veil) [**]
  • Chicago Farmer: Quarter Past Tonight (self-released) [A-]
  • Diali Cissokho & Kaira Ba: Routes (Twelve/Eight) [A-, A-]
  • The Coathangers: Live (Suicide Squeeze) [**, **]
  • Doctor Nativo: Guatemaya (Stonetree) [A-, A-]
  • E-40: The Gift of Gab (Heavy on the Grid) [**]
  • Robbie Fulks/Linda Gail Lewis: Wild! Wild! Wild! (Bloodshot) [***, A-]
  • Gift of Gab: Rejoice! Rappers Are Rapping Again! (Giftstribution Unlimited -EP) [***, A-]
  • Hamell on Trial: The Night Guy at the Apocalypse: Profiles of a Rushing Midnight (Saustex) [A, *]
  • Clay Harper: Bleak Beauty (self-released) [B+, *]
  • Homeboy Sandman & Edan: Humble Pi (Stones Throw -EP) [A-, **]
  • Joan Jett: Bad Reputation [Music From the Original Motion Picture] (Legacy) [A-, A-]
  • George Jones & the Jones Boys: Live in Texas 1965 (Ace) [***, ?]
  • Rich Krueger: Life Ain't That Long (Rockink) [A, **]
  • John Kruth & La Società dei Musici: Forever Ago (Ars Spoletium) [A-, A-]
  • Jinx Lennon: Grow a Pair!!! (Septic Tiger) [A-, *]
  • Jeffrey Lewis: Works by Tuli Kupferberg (1923-2010) (Don Giovanni) [B+, A-]
  • Mad Crush: Mad Crush (Upon This Rock -EP) [B+]
  • Wynton Marsalis Septet: United We Swing: Best of the Jazz at Lincoln Center Galas (2003-07, Blue Engine) [A-, *]
  • Walter Martin: Reminisce Bar & Grill (Family Jukebox) [*, B]
  • Mast: Thelonious Sphere Monk (World Galaxy) [A, ***]
  • Medhane: Ba Suba, Ak Jamm (Grand Closing) [*]
  • Molly Tigre: Molly Tigre (Very Special) [***, ***]
  • Maria Muldaur: Don't You Feel My Leg: The Naughty Bawdy Blues of Blue Lu Barker (The Last Music Company) [A, A]
  • Nas: Nasir (Mass Appeal/Def Jam -EP) [*, **]
  • Willie Nelson: My Way (Legacy) [*, **]
  • Grant Peeples and the Peeples Republik: Settling Scores Vol. II (Gatorbone) [***, **]
  • Primo!: Amici (Upset the Rhythm) [*]
  • Allen Ravenstine: Waiting for the Bomb (Morphius/ReR Megacorp) [*, *]
  • Ike Reilly: Crooked Love (Rock Ridge Music) [**]
  • Riton & Kah-Lo: Foreign Ororo (Riton Time) [A-, A-]
  • Derek Smalls: Smalls Change (Meditations Upon Ageing) (BMG) [*]
  • Sidi Touré: Toubalbero (Thrill Jockey) [***, **]
  • The Chandler Travis Three-O: Backward Crooked From the Sunset (Iddy Biddy) [*]
  • Wreckless Eric: Construction Time & Demolition (Southern Domestic) [A-, ***]
  • I'm Not Here to Hunt Rabbits (Piranha) [A-, A-]
  • Outlaws & Armadillos: Country's Roaring '70s (Legacy) [B+, **]

Those are all 2018 releases. Christgau's Dean's List will no doubt include his usual slew of late finds, but they fall out of this page. List is pretty long, but would be longer had I not already counted lists from known Christgauvians like Chris Monsen (Mekons 77, Amy Rigby, Elza Soares) and John Smallwood (Rigby, Lyrics Born, Wussy: What Heaven Is Like). I'll get to more as I find them, and at some point add in my own thus-far missing grades. Also results from Jazz Critics Poll, once they become public (soon, I think).

I have 175 EOY lists compiled to date, totalling 1798 + 46 albums (latter are reissues; very few lists focus on them so far). Not sure how many more I will pick up before I give up. The effort came to a standstill ten or so days ago, and I doubt I'll ever pick up the slack. The top of the list is fairly stable at this point (not that I've been paying close attention). My main interest in the list is to identify records worth checking out, so my intention now is to focus more on lists that line up well with my own interests. That probably means I've seen enough metal already. On the other hand, the current jazz listings are only about one-third as deep as the Jazz Critics Poll standings (154 vs. 487 new albums) and one-fourth as deep as my own personal ratings (176 vs. 678 new + old albums).


New records rated this week:

  • The 14 Jazz Orchestra: The Future Ain't What It Used to Be (2018 [2019], Dabon Music): [cd]: B
  • The 1975: A Brief Inquiry Into Online Relationships (2018, Dirty Hit/Polydor): [r]: B
  • Sam Broverman: A Jewish Boy's Christmas (2018, Brovermusic): [cd]: B
  • City Girls: Period (2018, Quality Control): [r]: B
  • City Girls: Girl Code (2018, Quality Control): [r]: B
  • Julien Desprez/Luís Lopes: Boa Tarde (2016 [2018], Shhpuma): [cdr]: B+(**)
  • Kit Downes: Obsidian (2016 [2018], ECM): [r]: B
  • Jake Ehrenreich: A Treasury of Jewish Christmas Songs (2017 [2018], self-released): [cd]: B+(*)
  • Peter Evans/Agusti Fernandez/Barry Guy: Free Radicals at DOM (2017 [2018], Fundacja Sluchaj): [bc]: B+(**)
  • Lupe Fiasco: Drogas Light (2017, 1st & 15): [r]: B+(**)
  • Lupe Fiasco: Drogas Wave (2018, 1st & 15th): [r]: A-
  • Nils Frahm: All Melody (2018, Erased Tapes): [r]: B+(**)
  • Gaika: Basic Volume (2018, Warp): [r]: B+(*)
  • Nabihah Iqbal: Weighing of the Heart (2017, Ninja Tune): [r]: B+(*)
  • Thomas Johansson: Home Alone (2016 [2018], Tammtz): [r]: B+(**)
  • Jones Jones [Larry Ochs/Mark Dresser/Vladimir Tarasov]: A Jones in Time Saves Nine (2016 [2018], NoBusiness): [cdr]: B+(***)
  • Let's Eat Grandma: I'm All Ears (2018, Transgressive): [r]: B+(*)
  • Doug MacDonald Trio: View of the City (2016 [2018], Blujazz): [cd]: B+(*)
  • Roberto Magris: World Gardens (2015 [2018], JMood): [cd]: B+(***)
  • Mac Miller: Swimming (2018, REMember Music/Warner Bros.): [r]: B+(*)
  • Liudas Mockünas: Hydro 2 (2017 [2018], NoBusiness): [cd]: B+(*)
  • Joel Moore/Nick Mizock/Paul Scherer/Michael Barton/Paul Townsend: Magnetic EP (2018, Blujazz): [cd]: B+(*)
  • Møster!: States of Minds (2018, Hubro, 2CD): [r]: B+(*)
  • Simon Nabatov/Barry Guy/Gerry Hemingway: Luminous (2015 [2018], NoBusiness): [cd]: A-
  • Judy Night Quintet: Sliding on Glass: Live at 210 (2018, Blujazz): [cd]: B+(*)
  • Kresten Osgood: Kresten Osgood Quintet Plays Jazz (2018, ILK, 2CD): [cd]: A-
  • Otherworld Ensemble: Live at Malmitalo (2017 [2018], Edgetone): [cd]: B+(*)
  • Alister Spence and Satoko Fujii Orchestra Kobe: Imagine Meeting You Here (2017 [2019], Alister Spence Music): [cd]: B+(***)
  • Kristen Strom: Moving Day: The Music of John Shifflett (2018, OA2): [cd]: B
  • The United States Air Force Band Airmen of Note: Best of the Jazz Heritage Series Volume 1 (2018, self-released): [cd]: B-


Grade (or other) changes:

  • Maria Muldaur: Don't You Feel My Leg: The Naughty, Bawdy Blues of Blue Lu Barker (2018, The Last Music Company): [cd]: [was A-] A

Unpacking: Found in the mail last week:

  • Jon Lundbom Big Five Chord: Harder on the Outside (Hot Cup): February 1

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Tuesday, October 30, 2018


Weekend Roundup

No Weekend Roundup last week, and I didn't have any intention of doing one this week either. But when I sat down at the computer today, I figured I'd copy a few links (without comments) into the notebook for future reference. Wound up with quite a few. I started with Matthew Yglesias, then decided to stick to the format I used there: boldfacing the author, linking the article. Normally I would group related articles, such as on the shutdown/wall, or the Syria withdrawal, but only in a couple instances did I do that -- mostly when an article by a unique writer adds or counters one I already had pegged. I wound up with a couple very brief comments, noted interviews, and added tag quotes or subheds under long articles, where the title didn't explain enough.

Still awful sore, but this was probably the first day in ten where I've been able to sit at the computer for more than an hour without really paying for it. Managed to listen to some music along the way, so Music Week tomorrow won't be a total wash.


Some scattered links this week:

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